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\"short_desc\": \"This video journal is an informal time capsule of the downtown cultural and artistic milieu in New York. In <i>Part 1<\/i>, Clarke is an active voice behind the camera as she documents a party given by John Lennon and Yoko Ono, with guests that include Andy Warhol and Jack Nicholson. In <i>Parts 2 & 3,<\/i> Arthur C. Clarke performs a celestial experiment with a video camera on the roof of the Chelsea Hotel, while influential theologian Alan Watts creates \\"an exercise in Zen.\\"\",
\"long_desc\": \"This video journal is an informal time capsule of the downtown cultural and artistic milieu in New York. <i>Part 1<\/i> documents a party given by John Lennon and Yoko Ono. Clarke is an active voice behind the camera as she records this celebrity-rich event, with guests including Andy Warhol and Jack Nicholson. In <i>Parts 2 & 3,<\/i> Arthur C. Clarke performs a celestial experiment with a video camera on the roof of the Chelsea Hotel, while influential theologian Alan Watts waits silently, creating \\"an exercise in Zen.\\"\",
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\"short_bio\": \"A leading figure in the American avant-garde cinema of the 1950s and 1960s, and a pioneer of video in the 1970s, Shirley Clarke brought a distinctive \\"choreography of images\\" to her work. An instrumental figure in the cinema verite movement, she also produced dramatic features. In 1970, she formed the Tee Pee Videospace Troupe, a loose collective working in experimental video and theater. Later works included theatrical collaborations with Sam Shepard and Joseph Chaikin.\",
\"long_bio\": \"A leading figure in the American avant-garde cinema of the 1950s and 1960s, and a pioneer of video in the 1970s, Shirley Clarke brought a distinctive aesthetic — the \\"choreography of images\\" — to her work. In video works such as <i>Tongues<\/i> (1981-82), a powerful theatrical collaboration with Sam Shepard and Joseph Chaikin, she manipulated image, time and space by applying choreographic editing and technical effects as a dramatic, expressive language. \r\n\r\nClarke trained as a dancer before becoming a filmmaker. Her earliest films, including <i>Dance in the Sun<\/i> (1953), reflect a rhythmic fusion of human movement and choreographed camera work and editing. An instrumental figure in the experimental cinema verite movement of the late 1950s, Clarke also produced dramatic features and documentaries, including the independent classic <i>The Cool World<\/i> (1963). In 1970, she formed the Tee Pee Videospace Troupe, a loose collective working in experimental video and theater, and also produced a series of video dance pieces. \r\n\r\nWinner of an Academy Award for her 1964 documentary film <i>Robert Frost: A Lover's Quarrel With the World<\/i>, Clarke also won acclaim for <i>Ornette: Made in America,<\/i> (1985), a feature-length documentary on jazz saxophonist Ornette Coleman. \r\n\r\nClarke was born in 1925 and died in 1997. She co-founded (with Jonas Mekas) Film-Makers Cooperative and Film-Makers Distribution Center in New York, which offered alternative distribution methods for independent filmmakers. The recipient of grants from the New York State Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation, she taught film and video at the University of California, Los Angeles. Clarke's work has been shown at the New York Film Festival; Cannes Film Festival; American Film Institute National Video Festival, Washington, D.C.; and The Museum of Modern Art, New York (a 1971 retrospective), among many other festivals and institutions. She was the recipient of numerous awards, including First Prize at the Venice Film Festival, the Critics Award at the Cannes Film Festival, and the American Film Institute's Maya Deren Award. In 1987, Clarke's films and videotapes were the subject of retrospectives at the Whitney Museum of American Art, New York and the Long Beach Museum of Art, California.\",
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\"notes\": \"Estate contact is Shirley's daughter,\r\n<a href=\\"artistView.htm?id=474\\">Wendy Clarke<\/a>\",
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Screening Lists and Schedules
Feb 26, 2002
Screening list for retrospective of early video works from the EAI Archives presented by MoMA in February 2002.
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