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Somebody's Baby
Trevor Shimizu
2011, 4:29 min, color, sound
More Info
Description
Documents
Titles by Trevor Shimizu
+
Club
Emotional Month
Lonely Loser Trilogy: Snowboard Gear, Mountain Bikes, Skate Videos
Memoir
Somebody's Baby
Spice
Suffering Thespian
The First Cat Obstacle Course, New Jersey
What a Boring and Disappointing Life
Description
Documents
Titles by Trevor Shimizu
+
Club
Emotional Month
Lonely Loser Trilogy: Snowboard Gear, Mountain Bikes, Skate Videos
Memoir
Somebody's Baby
Spice
Suffering Thespian
The First Cat Obstacle Course, New Jersey
What a Boring and Disappointing Life
Somebody's Baby
Trevor Shimizu
2011, 4:29 min, color, sound
Documents
"Edited at EAI": Artist to Artist
Press Release
"Edited at EAI": Artist to Artist, June 16, 2016, Press Release
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\"long_desc\": \"Recorded in EAI's offices and edited in the EAI Technical Facility, <i>Somebody\u2019s Baby<\/i> is a DIY music video for Jackson Browne\u2019s 1982 rock classic song of the same name. \r\n\r\nWrites Shimizu: \\"The footage for this music video was originally intended to be a short\r\nplay about two arts administrators constantly talking about each other\u00b9s significant others while on their breaks. The dialog was very\r\nrepetitious. They meet at the water cooler and make a point of mentioning their partners in each sentence.\\"\",
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\"short_bio\": \"Trevor Shimizu has produced a large body of paintings that are crudely gestural and sparse, and subtle in their compositional aesthetics if not in their subject matter. In works that are semi-autobiographical, humiliating social incidents and aberrations usually kept private are made public. Alongside his painting practice, Shimizu has produced a body of video art that emphasizes how his personal and public identities have been shaped by home video and the banality of television and media consumerism. As a former Technical Director of Electronic Arts Intermix, he developed close friendships and collaborations with artists including Dan Graham, Carolee Schneemann, Shigeko Kubota, and Dara Birnbaum. The influence of other EAI artists, especially the droll, self-depricating humor of Michael Smith, and Mike Kelley\u2019s unflinching portrayals of American culture, is also clearly evident. \",
\"long_bio\": \"Trevor Shimizu has produced a large body of paintings that are crudely gestural and sparse, and subtle in their compositional aesthetics if not in their subject matter. In works that are semi-autobiographical, humiliating social incidents and aberrations usually kept private are made public. Alongside his painting practice, Shimizu has produced a body of video art that emphasizes how his personal and public identities have been shaped by home video and the banality of television and media consumerism. As a former Technical Director of Electronic Arts Intermix, he developed close friendships and collaborations with artists including Dan Graham, Carolee Schneemann, Shigeko Kubota, and Dara Birnbaum. The influence of other EAI artists, especially the droll, self-depricating humor of Michael Smith, and Mike Kelley\u2019s unflinching portrayals of American culture, is also clearly evident.\r\n<br\/>\r\n<br\/>\r\nSelf-representation is a theme across Shimizu\u2019s art, and his paintings and videos often incorporate the artist as a surrogate who is elusively aligned with Shimizu. In the three videos that comprise his <i>Lonely Loser Trilogy<\/i> (2000), for instance, the artist records extended browsing sessions online, each one featuring a high-energy, macho sport that underscores Shimizu\u2019s pathetic living room spectatorship. <i>Skate Videos<\/i> was recorded with a pair of Google-glasses, further emphasizing the house-bound loser\u2019s dependency on gear to compensate for inaction. The domestication of skate videos that in youth might have represented teenage rebellion conjures a poignant portrait of the artist as an adult.\r\n<br\/>\r\n<br\/>\r\nTrevor Shimizu was born in 1978. He has had solo exhibitions at art hall, Baltimore; Modern Art, Lonson; Galerie Christine Mayer, Munich, Germany; The Ranch, Montauk, NY; The Green Gallery, Milwaukee, WI; Misako & Rosen, Tokyo, Japan; The Vanity East, Los Angeles, CA; and 47 Canal, New York.\r\n<br\/>\r\n<br\/>\r\nHis work has been included in group exhibitions at CANADA, New York; The National Art Center, Tokyo; Whitney Museum of American Art, New York; ICA Miami; ICA Philadelphia; Brennan & Griffin, New York; Kodomo, Queens, NY; Greene Naftali Gallery, New York; Pilar Corrias, London, UK; Mudam Luxembourg; Centre for Style, Melbourne, Australia; Nicolas Krupp, Basel, Switzerland; four81, New York, NY; 3A Gallery, New York, NY; Michael Thibault Gallery, Los Angeles, CA; Franklin Street Works, Stamford, CT; Night Gallery, Los Angeles, CA; Queens Museum of Art, Queens, NY; Jancar Jones Gallery, LA, California; Carriage Trade, New York, NY; White Columns, New York, NY; Taxter & Spengemann, New York, NY; Weltraum 26, Munich, Germany; Guild & Greyshkul, New York, NY; and Canada, New York, NY. Shimizu participated in the Whitney Biennial in 2014. Shimizu lives and works in New York.\",
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\"html\": \"<html>\r\n<head>\r\n<title>Gerry Schum @ EAI<\/title>\r\n<meta http-equiv=\\"Content-Type\\" content=\\"text\/html; charset=iso-8859-1\\" \/>\r\n<style type=\\"text\/css\\">\r\nt.left {}\r\nh.red {font-family:Helvetica, Arial, Verdana, sans-serif; font-weight:bold; color:#990000}\r\np.two {line-height:200%;}\r\np.onefive {font-family:Verdana, Arial, Helvetica, sans-serif; font-size:10px; line-height:200%; color:#000000}\r\np.normalbold {font-family:Verdana, Arial, Helvetica, sans-serif; font-size:11px; line-height:150%; color:#000000; margin-top:0; border:0}\r\np.twelvebold {font-family:Verdana, Arial, Helvetica, sans-serif; font-size:12px; line-height:150%; color:#000000; margin-top:0; border:0}\r\np.normal {font-family:Verdana, Arial, Helvetica, sans-serif; font-size:10px; line-height:150%; color:#000000}\r\na:link {color:#000000; text-decoration:none;} \/* unvisited link *\/\r\na:visited {color:#000000; text-decoration:none;} \/* visited link *\/\r\na:hover {color:#000000; text-decoration:none;} \/* mouse over link *\/\r\na:active {color:#000000; text-decoration:none;} \/* selected link *\/\r\n<\/style>\r\n<\/head>\r\n<body>\r\n\r\n<table width=\\"550\\" border=\\"0\\" cellspacing=\\"0\\" cellpadding=\\"0\\" align=\\"left\\">\r\n\r\n<tr>\r\n\r\n<td colspan=\\"3\\" valign=\\"top\\">\r\n\r\n<p class=\\"twelvebold\\">\r\n\r\n\r\n<strong>Video works by Robert Beck, Cheryl Donegan, Ursula Hodel, Nam June Paik, Seth Price, Carolee Schneemann, Trevor Shimizu, and Michael Smith, followed by a conversation with Robert Buck and Cheryl Donegan. <\/strong>\r\n<br >\r\n<br >\r\n<em>\\"Edited at EAI\\": Artist to Artist<\/em> highlights the rich collaborative process and the creative relationships between artists and the artists\/editors with whom they worked, through the lens of EAI's editing facility. Video works by Cheryl Donegan, Ursula Hodel, Nam June Paik, Carolee Schneemann, and Michael Smith—all edited at EAI—will be shown together with works by Robert Beck, Seth Price and Trevor Shimizu, three internationally recognized artists who spent formative years as EAI editors. Featuring works from the mid-1990s to the mid-2000s, <em>Artist to Artist<\/em> is the second in EAI's ongoing \\"Edited at EAI\\" program series. Artists Robert Buck and Cheryl Donegan will be in conversation following the screening. \r\n<br \/>\r\n<br \/>\r\nOrganized in conjunction with EAI's 45th anniversary, the \\"Edited at EAI\\" series highlights a historically significant but less well-known area of EAI's programs: EAI's Editing Facility for artists, one of the first such creative workspaces for video in the United States.\r\n\r\n\r\n<br \/>\r\n<br \/>\r\n<br \/>\r\n\r\n<\/td>\r\n<\/tr>\r\n\r\n<tr>\r\n<td width=\\"150\\" valign=\\"top\\">\r\n<img src= \\"http:\/\/eai.org\/user_files\/images\/public_program\/beck_songpoem_xl.jpg\\" width=\\"300\\" hspace=\\"0\\" vspace=\\"0\\" border=\\"0\\" \/>\r\n<br \/>\r\n<font face=\\"Verdana, Arial, Helvetica, sans-serif\\" size=\\"1\\">Robert Beck, <em>Song Poem (Trip Visits), 2001<\/em><br \/> <\/font>\r\n<\/td>\r\n\r\n<td width=\\"23\\" valign=\\"top\\"> <\/td>\r\n<td width=\\"221\\" valign=\\"top\\">\r\n<font face=\\"Verdana, Arial, Helvetica, sans-serif\\" size=\\"2\\">\r\n<strong>Thursday, June 16, 2016<br \/><br \/>\r\n6:30 pm<br \/>\r\n<br \/>\r\nElectronic Arts Intermix (EAI)<br \/>\r\n535 West 22nd Street, 5th Fl.<br \/>\r\nNew York, NY 10011<\/strong><br \/>\r\n<strong><a href=\\"http:\/\/www.eai.org\\" target=\\"_blank\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">www.eai.org<\/font><\/a><\/strong><br \/>\r\n<br \/>\r\n<strong>$7\/ $5 Students<br\/>Free for Members<br \/>\r\n<br \/>\r\nRSVP: info@eai.org\r\n<\/strong><br \/>\r\n<\/font>\r\n\r\n\r\n<\/td>\r\n<\/tr>\r\n<br \/>\r\n\r\n<\/td>\r\n<\/tr>\r\n<br \/>\r\n<tr>\r\n<td colspan=\\"3\\" valign=\\"top\\">\r\n\r\n\r\n\r\n \r\n <p class=\\"twelvebold\\"><br \/>\r\n \r\n<br \/>\r\n<br \/>\r\n<strong>Program<\/strong>\r\n<br \/><br \/>\r\n<strong>Pinea Silva<\/strong>, Carolee Schneemann, 2012, 9:27 min, color\r\n<br \/>\r\n<strong>Somebody's Baby<\/strong>, Trevor Shimizu, 2011, 4 min, color\r\n<br \/>\r\n<strong>Industrial Synth<\/strong>, Seth Price, 2000-01,16:37 min, color\r\n<br \/>\r\n<strong>Analogue Assemblage<\/strong>, Nam June Paik, 2000, 2:08 min, color\r\n<br \/>\r\n<strong>Godiva<\/strong>, Ursula Hodel, 1997, 4:31 min, color\r\n<br \/>\r\n<strong>Bigmouth Strikes Again<\/strong>, Robert Beck, 1995, 11 min, color\r\n<br \/>\r\n<strong>OYMA (Outstanding Young Men of America)<\/strong>, Michael Smith, 1996, 9:23 min, color\r\n<br \/>\r\n<strong>Rehearsal<\/strong>, Cheryl Donegan, 1994, 14:25 min, color\r\n<br \/>\r\n<strong>Song Poem (Trips Visits)<\/strong>, Robert Beck, 2001, 6 min, color\r\n\r\n<br \/>\r\n<br \/>\r\n<strong>Total Running Time: 77 min<\/strong>\r\n<br \/>\r\n<br \/>\r\n \r\n\r\n\r\n\r\n<p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">___________________________________<\/font><\/font><\/p>\r\n \r\n \r\n\r\n <p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">\r\n\r\n <br \/>\r\n <br \/>\r\n\r\nAcross five decades, an extraordinary group of artists has used EAI's facility to create some of the most significant works in media art's diverse alternative histories. Many more of these artists and works will be featured in subsequent screenings throughout our 45th anniversary year. \r\n\r\n<br \/>\r\n\r\n\r\n<br \/>\r\n\r\n<\/font>\r\n\r\n <\/font><\/font>\r\n\r\n\r\n \r\n <p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">___________________________________<\/font><\/font><\/p>\r\n\r\n <p class=\\"twelvebold\\">\r\n\r\n \r\n <p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\"> \r\n <br \/>\r\n <strong>About EAI<\/strong><br \/>\r\n <br \/> \r\n \r\n \r\nCelebrating our 45th anniversary in 2016, Electronic Arts Intermix (EAI) is a nonprofit arts organization that fosters the creation, exhibition, distribution, and preservation of moving image art. A New York-based international resource for media art and artists, EAI holds a major collection of over 3,500 new and historical media artworks, from groundbreaking early video by pioneering figures of the 1960s to new digital projects by today's emerging artists. EAI works closely with artists, museums, schools and other venues worldwide to preserve and provide access to this significant archive. EAI services also include viewing access, educational initiatives, extensive online resources, technical facilities, and public programs such as artists' talks, screenings, and multi-media performances. EAI's Online Catalogue is a comprehensive resource on the artists and works in the EAI collection, and features expansive materials on media art's histories and current practices: <strong><a href=\\"http:\/\/www.eai.org\\" target=\\"_blank\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">www.eai.org<\/font><\/a><\/strong><\/font><\/font><br \/><br \/>\r\n\r\n\r\n<font size=\\"1\\" face=\\"Verdana, Arial, Helvetica, sans-serif\\">___________________________________<\/font><br \/>\r\n <br \/>\r\n \r\n <p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">\r\n\r\n\r\n\r\nElectronic Arts Intermix<br \/>535 West 22nd Street, 5th Floor<br \/>New York, NY 10011<br \/>t (212) 337-0680<br \/>f (212) 337-0679<br \/>\r\n<strong><a href=\\"mailto:info@eai.org\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">info@eai.org<\/font><\/a><\/strong><\/font><\/p>\r\n\r\n<p style=\\"line-height:150%; color:#000000; text-decoration:none\\"><font face=\\"Verdana, Arial, Helvetica, sans-serif\\" size=\\"2\\">\r\n\r\n<strong><a href=\\"http:\/\/www.facebook.com\/pages\/Electronic-Arts-Intermix-EAI\/69797591849?ref=nf\\" target=\\"_new\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">EAI on Facebook<\/font><\/a><\/strong><br \/>\r\n<strong><a href=\\"http:\/\/twitter.com\/#!\/eai_org\\" target=\\"_new\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">EAI on Twitter<\/font><\/a><\/strong>\r\n<\/font><\/p>\r\n\r\n\r\n<font size=\\"1\\" face=\\"Verdana, Arial, Helvetica, sans-serif\\">___________________________________<\/font><br \/><br \/>\r\n\r\n<p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">\r\n\r\n<img src=\\"https:\/\/www.eai.org\/user_files\/supporting_documents\/funders_logos_dca_nysca_web.jpg\\" \/><br \/><br \/>\r\n\r\nEAI's Public Programs are supported in part by the New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature, and the New York City Department of Cultural Affairs, in partnership with the City Council. EAI also receives program support from the Andy Warhol Foundation for the Visual Arts.<br \/>\r\n<br \/>\r\n\r\n<\/font><\/p><br \/>\r\n\r\n\r\n\r\n<\/td>\r\n\r\n\r\n<\/tr>\r\n\r\n<\/table>\r\n\r\n\r\n\r\n<\/body>\r\n<\/html>\",
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