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Philly
Hannah Wilke
1977, 32 min, b&w, sound
More Info
Description
Ordering & Fees
Images
Documents
Titles by Hannah Wilke
+
Gestures
Hannah Wilke Through the Large Glass
Hello Boys
Intercourse with...
Philly
So Help Me Hannah
Description
Ordering & Fees
Images
Documents
Titles by Hannah Wilke
+
Gestures
Hannah Wilke Through the Large Glass
Hello Boys
Intercourse with...
Philly
So Help Me Hannah
Philly
Hannah Wilke
1977, 32 min, b&w, sound
Documents
RECENT AND HISTORICAL VIDEOTAPES FROM EAI
Program Notes
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\"short_bio\": \"In the 1970s and early '80s, Hannah Wilke produced performance tapes that examine sex and sexuality, feminism and femininity, the body and its representation. Wilke explores gesture in relation to gender and power, using her own image to confront the erotic representation of the female body in art history and popular culture.\",
\"long_bio\": \"From the 1970s until her death in 1993, Hannah Wilke produced work that examined sex and sexuality, feminism and femininity, the body and its representation. Working in sculpture, painting, performance, video, and photography, Wilke often used her own body as a means of asserting a specifically female iconography. Wilke's project culminated in the early 1990s with a stark, moving series of photographs of her face and body during her struggle with cancer. \r\n\t\r\nIn the 1970s and early 1980s Wilke made a series of performance videotapes, in which she often explored issues of gender and power through posturing, posing, and gesture. Other tapes document her performances, such as <i>Through the Large Glass<\/i>, in which she performs a striptease behind Duchamp's <i>The Bride Stripped Bare by Her Bachelors, Even<\/i> at the Philadelphia Museum of Art. Wilke uses her own image to confront the erotic representation of the female body in art history and popular culture. \r\n\r\n Hannah Wilke was born in 1940 and died in 1993. She studied at the Tyler School of Art, Philadelphia. Wilke received awards from the National Endowment for the Arts, the Pollock Krasner Foundation, and the John Simon Guggenheim Memorial Foundation. Her work has been included in exhibitions at the Museum of Contemporary Art, Los Angeles; Centre Georges Pompidou, Paris; Museum Ludwig, Cologne, and The Whitney Museum of American Art, New York. Wilke has had solo exhibitions at the P.S.1 Institute, New York; Marc Selwyn Fine Art Gallery, Los Angeles; Ronald Feldman Fine Arts, New York; and the Nikolaj Contemporary Art Center, Copenhagen. \",
\"bibliography\": \"Goldberg, Roselee. <u>Performance: Live Art 1890 to the Present<\/u>. New York: Harry N. Abrams, 1980.\r\n<br><br>\r\n<u>Hannah Wilke: A Retrospective<\/u>. Copenhagen, Denmark: Nicolaj, Copenhagen Contemporary Art Center, 1998.\r\n<br><br>\r\nKochheiser, Thomas H., ed. <u>Hannah Wilke - A Retrospective<\/u>. Columbia, MO: University of Missouri Press, 1989. Essay by Joanna Frueh.\",
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\"notes\": \"Hannah Wilke (1940-1993)\r\n<br><br>\r\nContact Marsie Scharlatt for approval of all exhibitions and purchases for every title but So Help Me Hannah. Contact Don Goddard regarding So Help Me Hannah. mscharlatt@earthlink.net\r\n<br><br>\r\nSo Help Me Hannah may only be rented and is not available for purchase. Rights are held by the Estate of Donald Goddard and managed by Schwartzman. www.schwartzmanand.com. (Previous note: Don will make exceptions for So Help Me Hannah (for major exhibitions, for instance, but he should be called). Don Goddard: hgoddard3@nyc.rr.com)\r\n<br><br>\r\nIMAGES AND CREDITS: All image requests for Wilke titles should be referred directly to VAGA. Accompanying the exhibition or screening of any Wilke titles (with the exception of So Help Me Hannah), the client should include the following credit text wherever appropriate: \\"Marsie, Emanuelle, Damon and Andrew Scharlatt, Hannah Wilke Collection & Archive, Los Angeles. Courtesy Electronic Arts Intermix (EAI), NY.\\" (RC, 6\/5\/08)\r\n<br><br>\r\nThere are 2 contracts for Hannah's work - one with <a href=artist_view.jsp?artistID=7834>Don Goddard<\/a> (Hannah's widower), one with <a href=artist_view.jsp?artistID=7835>Marsie Scharlatt<\/a> (Hannah's sister). Don has the rights and receives royalties from So Help Me Hannah, and Marsie has the rights to all other tapes.\r\n<br><br>\r\n<i>Four for the Fourth\/My Country Tis of Thee<\/i>: Marsie would like this to be in distribution. We have the master here but the sound isn't the best quality. Marsie will see if there may be another master with better sound quality (11\/2\/00).\r\n<br><br>\r\nThe Wilke titles originally came from Don, but the decisions on what to distribute will come from Marsie. At this point, she would not like to put more of the Wilke material in distribution.\",
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