Documents
![/user_files/images/supporting_document/pn_icon1.jpg](/user_files/images/supporting_document/pn_icon1.jpg "{
\"title_id\": 1127,
\"slug\": \"one11-and-103\",
\"title\": \"One11 and 103\",
\"subtitle\": \"\",
\"title_translation\": null,
\"alternate_title\": \"\",
\"completion_date\": \"1992\",
\"media_type_id\": 5297,
\"running_time\": \"94 min\",
\"color\": \"b&w\",
\"sound\": \"sound\",
\"by_credit\": \"\",
\"price_scheme_id\": 13593,
\"image_url\": \"cage.oneleven.jpg\",
\"quicktime_url\": null,
\"keywords\": \"John Cage\",
\"short_desc\": \"In this double work, abstractions of light travel across and into the sounds and space created by artist and composer John Cage. While intended as a unified work, the piece must also be considered as a joining of two discrete works, each of which stands on its own.\",
\"long_desc\": \"In this double work, abstractions of light travel across and into the sounds and space created by artist and composer John Cage. While intended as a unified work, the piece must also be considered as a joining of two discrete works, each of which stands on its own. <i>One<sup>11<\/sup><\/i> is a composition \\"for solo camera man.\\" Cage writes: \\"<i>One<sup>11<\/sup><\/i> is a film without subject. There is light but no persons, no things, no ideas about repetition and variation. It is meaningless activity which is nonetheless communicative, like light itself, escaping our attention as communication because it has no content to restrict its transforming and informing power.\\" Of <i>103<\/i>, Cage writes: \\"<i>103<\/i> is an orchestral work. It is divided into seventeen parts. The lengths of the seventeen parts are the same for all the strings and the percussion. The woodwinds and the brass follow another plan... Following chance operations, the number of wind instruments changes for each of the seventeen parts.\\" When these two works are played together, the title becomes <i>One<sup>11<\/sup> and 103<\/i>. (The 11 must be written as superscript, and the full title must be italicized.) The piece was premiered in this manner in 1992 at the Cologne Philharmonie, by the Radio and Symphony Orchestra of the WDR. This video version was supervised by Cage.\",
\"unique_id\": \"1573\",
\"extent\": null,
\"distribution_terms_and_usage\": \"In addition to contacting Laura Kuhn for permission to screen Cage works, clearance for the use of John Cage's music must be obtained from Gene Caprioglio (gene.caprioglio@editionpeters.com). CC Laura Kuhn on correspondence with Gene. - from a phone conversation with Laura Kuhn on 5\/10\/12 - JK\r\n\r\nFor One 11 and 103, in addition to getting permission from Laura Kuhn, screenings and exhibitions should be cleared with Gene Caprioglio (see above) for rigts to the music, and with Henning Lohner (hlohner@lohnerranger.com) for rights to the film. CC Laura Kuhn. - from a phone conversation with Laura Kuhn on 5\/10\/12 - JK\",
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"1998-07-01T16:12:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2019-09-10T14:51:06-04:00\",
\"modified_by_eai_user_id\": 15559,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 295,
\"running_time_seconds\": 5640,
\"language\": \"\",
\"featured\": 0,
\"title_video_high_rez_full\": {
\"user_file_id\": 12275,
\"object_id\": 1127,
\"xref_type\": \"TITLE_VIDEO_HIREZ_FULL\",
\"filename\": \"cage_one11_vod.qtl\",
\"filepath\": \"\/user_files\/videos\/title\/hifull\/\",
\"content_type\": null,
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2012-05-16T15:17:00-04:00\",
\"modified_date\": \"2012-05-16T15:17:00-04:00\"
},
\"contained_titles\": [],
\"see_also_titles\": [],
\"containing_titles\": [],
\"see_also_artists\": [],
\"artists\": [
{
\"artist_id\": 421,
\"slug\": \"john-cage\",
\"first_name\": \"John\",
\"last_name\": \"Cage\",
\"alternate_name\": null,
\"link_title\": \"John Cage\",
\"artist_group\": 0,
\"group_contact\": \"Jeffrey Lependorf\",
\"sex\": \"Male\",
\"cultural_background\": \"\",
\"birth_year\": \"1912\",
\"birth_place\": \"\",
\"death_year\": \"1992\",
\"ss_num_or_tax_id\": \"\",
\"image_url\": \"cage.catch44.gif\",
\"quicktime_url\": \"cage.aspects.new.d3_ref.mov\",
\"keywords\": \"\",
\"published\": 1,
\"date_created\": \"2001-10-12T16:43:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2026-06-10T12:55:57-04:00\",
\"modified_by_eai_user_id\": 16227,
\"collective_name\": \"\",
\"artist_ex_id\": 156,
\"artist_address_id\": 156,
\"featured\": 0,
\"_joinData\": {
\"id\": 238,
\"artist_id\": 421,
\"title_id\": 1127
},
\"with_and_about_titles\": [
{
\"title_id\": 529,
\"slug\": \"26-1-1499-for-a-string-player\",
\"title\": \"26'1.1499\\" For A String Player\",
\"subtitle\": \"\",
\"title_translation\": \"\",
\"alternate_title\": \"\",
\"completion_date\": \"1973\",
\"media_type_id\": 207,
\"running_time\": \"42 min\",
\"color\": \"color\",
\"sound\": \"sound\",
\"by_credit\": \"Jud Yalkut\",
\"price_scheme_id\": 4451,
\"image_url\": \"yalkut.stringplayer.jpg\",
\"quicktime_url\": null,
\"keywords\": \"\",
\"short_desc\": \"This tape is Jud Yalkut's video realization of <a href=\\"artistTitles.htm?id=344\\"><b>Charlotte Moorman<\/b><\/a> and <a href=\\"artistTitles.htm?id=481\\"><b>Nam June Paik<\/b><\/a>'s concert performance of <a href=\\"artistTitles.htm?id=421\\"><b>John Cage<\/b><\/a>'s composition <i>26'1.1499\\" For String Player.<\/i> In this extraordinary performance, which is manipulated and synthesized by Yalkut, Paik and Moorman play Cage's score on a collection of \\"instruments\\" that include a pistol, a dish of mushrooms, balloons, a practice aerial bomb, and a telephone call to President Nixon.\",
\"long_desc\": \"This tape is Jud Yalkut's video realization of <a href=\\"artistTitles.htm?id=344\\"><b>Charlotte Moorman<\/b><\/a> and <a href=\\"artistTitles.htm?id=481\\"><b>Nam June Paik<\/b><\/a>'s concert performance of <a href=\\"artistTitles.htm?id=421\\"><b>John Cage<\/b><\/a>'s composition <i>26'1.1499\\" For String Player.<\/i> In this extraordinary performance, which is manipulated and synthesized by Yalkut, Paik and Moorman play Cage's score on a collection of \\"instruments\\" that include a pistol, a dish of mushrooms, balloons, a practice aerial bomb, and a telephone call to President Nixon.\",
\"unique_id\": \"123\",
\"extent\": null,
\"distribution_terms_and_usage\": null,
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"1999-04-15T11:15:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2017-01-06T14:49:13-05:00\",
\"modified_by_eai_user_id\": 228,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 21,
\"running_time_seconds\": 2520,
\"language\": null,
\"featured\": 0,
\"_joinData\": {
\"id\": 38,
\"title_id\": 529,
\"artist_id\": 421
}
},
{
\"title_id\": 2865,
\"slug\": \"a-tribute-to-john-cage\",
\"title\": \"A Tribute to John Cage\",
\"subtitle\": null,
\"title_translation\": null,
\"alternate_title\": null,
\"completion_date\": \"1973, re-edited 1976\",
\"media_type_id\": 207,
\"running_time\": \"29:02 min\",
\"color\": \"color\",
\"sound\": \"sound\",
\"by_credit\": null,
\"price_scheme_id\": 4424,
\"image_url\": \"paik.cage.gif\",
\"quicktime_url\": null,
\"keywords\": \"Cage John Cage new music\",
\"short_desc\": \"\",
\"long_desc\": \"<i>A Tribute to John Cage<\/i> is Paik's homage to avant-garde composer <a href=\\"artistTitles.htm?id=421\\"><b>John Cage<\/b><\/a>. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as <i>4'33\\" (of complete silence)<\/i> in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's <i>Zen for TV;<\/i> Paik and <a href=\\"artistTitles.htm?id=344\\"><b>Charlotte Moorman<\/b><\/a> in early performances, including the <i>TV Bra;<\/i> and anecdotes from composer Alvin Lucier.\",
\"unique_id\": \"427A\",
\"extent\": null,
\"distribution_terms_and_usage\": null,
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"1998-07-29T14:20:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2020-11-03T10:58:00-05:00\",
\"modified_by_eai_user_id\": 13985,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 1675,
\"running_time_seconds\": 1742,
\"language\": null,
\"featured\": 0,
\"_joinData\": {
\"id\": 56,
\"title_id\": 2865,
\"artist_id\": 421
}
},
{
\"title_id\": 2353,
\"slug\": \"aspects-of-a-new-consciousness-dialogue-iii\",
\"title\": \"Aspects of a New Consciousness, Dialogue III\",
\"subtitle\": null,
\"title_translation\": null,
\"alternate_title\": null,
\"completion_date\": \"1969\",
\"media_type_id\": 207,
\"running_time\": \"30 min\",
\"color\": \"color\",
\"sound\": \"sound\",
\"by_credit\": \"Camera Three\",
\"price_scheme_id\": 4424,
\"image_url\": \"cage.aspects.jpg\",
\"quicktime_url\": \"cage.aspects.new.d3_ref.mov\",
\"keywords\": null,
\"short_desc\": null,
\"long_desc\": \"This historical document, produced in 1969 for the CBS television program <i>Camera Three<\/i>, records a fascinating conversation with the influential avant-garde composer John Cage. In a wide-ranging dialogue, Cage discusses aspects of his work, his aesthetic philosophies, his working processes, and artistic strategies. He also comments on the methodologies and references that informed specific compositions, including <i>Variations II<\/i> and <i>The Williams Mix<\/i>. This document provides compelling insights into the work of one of the most significant figures in twentieth century music, in his own words.\",
\"unique_id\": \"1417\",
\"extent\": null,
\"distribution_terms_and_usage\": null,
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"1998-06-25T11:05:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2017-02-08T13:10:22-05:00\",
\"modified_by_eai_user_id\": 13985,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 860,
\"running_time_seconds\": 1800,
\"language\": null,
\"featured\": 0,
\"_joinData\": {
\"id\": 51,
\"title_id\": 2353,
\"artist_id\": 421
}
},
{
\"title_id\": 15061,
\"slug\": \"cage-cunningham\",
\"title\": \"Cage\/Cunningham\",
\"subtitle\": null,
\"title_translation\": null,
\"alternate_title\": null,
\"completion_date\": \"1991\",
\"media_type_id\": null,
\"running_time\": \"95:55 min\",
\"color\": \"color and b&w\",
\"sound\": \"sound\",
\"by_credit\": null,
\"price_scheme_id\": 5202,
\"image_url\": null,
\"quicktime_url\": null,
\"keywords\": null,
\"short_desc\": \"This feature film traces the history of the 50-year-long collaboration between choreographer Merce Cunningham and composer John Cage. Award-winning filmmaker and Cunningham collaborator Elliot Caplan brings together rare footage from the Cunningham and Cage archives, interviews with principal figures involved in the collaboration, and candid documents of their art and lives. The result is a revealing portrait of the two men and their spirit of adventure and iconoclastic thinking.\",
\"long_desc\": \"\\"This is a feature film tracing the history of the collaboration of choreographer Merce Cunningham and composer John Cage, which began nearly 50 years ago at the Cornish Institute of Allied Arts in Seattle, Washington. In telling the story of Cunningham and Cage, award-winning filmmaker and Cunningham collaborator Elliot Caplan utilizes candid footage of their activities since 1983 from around the world, rare footage from the Cunningham and Cage archives, and interviews with principal figures involved in the collaboration. Caplan's daily contact with Cage and Cunningham inspired a revealing and sensitive portrait of two men whose spirit of adventure and iconoclastic thinking has revolutionized life, as well as art, in the twentieth and twenty-first centuries.\\" -- Text courtesy of the Merce Cunningham Trust\",
\"unique_id\": \"2844\",
\"extent\": null,
\"distribution_terms_and_usage\": \"Depending on file format, HD price scheme should be attached to this title - RC, 2\/2013\",
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"2012-08-29T13:36:00-04:00\",
\"created_by_eai_user_id\": 13659,
\"date_modified\": \"2019-09-10T15:02:46-04:00\",
\"modified_by_eai_user_id\": 15559,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 3892,
\"running_time_seconds\": 5755,
\"language\": null,
\"featured\": 0,
\"_joinData\": {
\"id\": 59,
\"title_id\": 15061,
\"artist_id\": 421
}
},
{
\"title_id\": 2821,
\"slug\": \"die-rache-der-toten-indianer\",
\"title\": \"Die Rache der Toten Indianer\",
\"subtitle\": \"Revenge of the Dead Indians\",
\"title_translation\": \"Revenge of the Dead Indians\",
\"alternate_title\": \"\",
\"completion_date\": \"1993\",
\"media_type_id\": 207,
\"running_time\": \"125 min\",
\"color\": \"color\",
\"sound\": \"sound\",
\"by_credit\": \"Henning Lohner\",
\"price_scheme_id\": 4708,
\"image_url\": \"cage_dierache.jpg\",
\"quicktime_url\": null,
\"keywords\": \"\",
\"short_desc\": null,
\"long_desc\": \"Henning Lohner's portrait of John Cage pays homage to the spirit of the artist in both approach and content. \\"With this film we wish to honor the creative credo of composer John Cage, to whom the film is dedicated,\\" states Lohner. \\"We try to pay attention to 'forgotten' landscapes: places we easily pass because they lie at the road side or because they are not 'special' or popularly touristic. All 42 personalities of public life, whether known or unknown (like street cleaners and market vendors) are in conversation with each other - thanks to the medium of television. Some of their main themes are: chance, street noise, or the human brain, the 'radio head' of modern society... The film is structured with the compositional methods practiced by John Cage in mind and translates these musical processes freely to the film medium.\\"\",
\"unique_id\": \"1572A, 1572B\",
\"extent\": null,
\"distribution_terms_and_usage\": null,
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"1998-07-01T16:13:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2020-03-03T11:23:23-05:00\",
\"modified_by_eai_user_id\": 14405,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 1656,
\"running_time_seconds\": 7500,
\"language\": \"\",
\"featured\": 0,
\"_joinData\": {
\"id\": 49,
\"title_id\": 2821,
\"artist_id\": 421
}
},
{
\"title_id\": 15062,
\"slug\": \"the-collaborators-cage-cunningham-rauschenberg\",
\"title\": \"The Collaborators: Cage, Cunningham & Rauschenberg\",
\"subtitle\": null,
\"title_translation\": null,
\"alternate_title\": null,
\"completion_date\": \"1987\",
\"media_type_id\": null,
\"running_time\": \"56:04 min\",
\"color\": \"color\",
\"sound\": \"sound\",
\"by_credit\": null,
\"price_scheme_id\": 4451,
\"image_url\": null,
\"quicktime_url\": null,
\"keywords\": null,
\"short_desc\": \"This documentary is in two parts, with the second part, <em>Coast Zone<\/em>, available separately. The first part of the program features a revealing and informal discussion between Cunningham and his longtime collaborators, composer and musician John Cage and artist Robert Rauschenberg. Their lively interchange is intercut with archival footage from their collaborative works, <em>Travelogue, Minutiae<\/em>, and <em>Antic Meet<\/em>. They discuss designing and composing for dance, aesthetic philosophies, and the adventures encountered when touring and performing together.\",
\"long_desc\": \"This documentary is in two parts, with the second part, <em>Coast Zone<\/em>, available separately. The first part of the program features a revealing and informal discussion between Cunningham and his longtime collaborators, composer and musician John Cage and artist Robert Rauschenberg. Their lively interchange is intercut with archival footage from their collaborative works, <em>Travelogue, Minutiae<\/em>, and <em>Antic Meet<\/em>. They discuss designing and composing for dance, aesthetic philosophies, and the adventures encountered when touring and performing together.\",
\"unique_id\": \"2845\",
\"extent\": null,
\"distribution_terms_and_usage\": \"\",
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"2012-08-29T13:42:00-04:00\",
\"created_by_eai_user_id\": 13659,
\"date_modified\": \"2025-12-23T09:43:09-05:00\",
\"modified_by_eai_user_id\": 14405,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 3893,
\"running_time_seconds\": 3364,
\"language\": null,
\"featured\": 0,
\"_joinData\": {
\"id\": 61,
\"title_id\": 15062,
\"artist_id\": 421
}
}
],
\"artist_ex\": {
\"group_members\": null,
\"short_bio\": \"One of the most celebrated and iconoclastic figures of the American musical avant-garde, John Cage has been instrumental in reshaping postwar Western music. Cage's radical innovations in compositions and theory — the application of chance and \\"found\\" sound as an integral compositional device, the creation of musical structures based on rhythm rather than tonality — were influential in altering traditional concepts of musical interpretation.\",
\"long_bio\": \"One of the most celebrated and iconoclastic figures of the American musical avant-garde, John Cage has been instrumental in reshaping postwar Western music. Cage's radical innovations in compositions and theory — the application of chance and \\"found\\" sound as an integral compositional device, the creation of musical structures based on rhythm rather than tonality — were influential in altering traditional concepts of musical interpretation.\r\n\r\nCage's seminal compositions include <i>Imaginary Landscape No. 4<\/i> (1951), a piece for twelve radios; <i>4'33\\"<\/i> (1952), a \\"silent\\" work in which the sounds of the piece originate in the ambient sound of the audience; and <i>Concert for Piano and Orchestra<\/i> (1958), which features a piano solo using eighty-four different kinds at composition. \r\n\r\n Cage was born in 1912 and died in 1992. During his lengthy career, he was active and highly productive as a composer, writer, philosopher, and visual artist. He was elected to the Institute of the American Academy and Institute of Arts and Letters in 1968, and the American Academy of Arts and Sciences in 1978. He received an honorary Doctorate of Performing Arts from the California Institutes of the Arts in 1986, and was also the recipient of a Guggenheim Fellowship. He was a fellow of the Centers for Advanced Studies at Wesleyan University; composer-in-residence at the University of California, Davis; and the Charles Eliot Norton Professor of Poetry at Harvard University. Cage was the musical director for the Merce Cunningham Dance Company, and the author of numerous books, including <i>Silence<\/i> (1973), <i>Empty Words<\/i> (1979), <i>Writings Through Finnegans Wake<\/i> (1979) and <i>Themes and Variations<\/i> (1982).\",
\"bibliography\": \"Cage, John. <u>Silence.<\/u> Middletown, CT: Wesleyan University Press, 1973. <br><br>\r\nCage, John and Joan Retallack. <u>Musicage: Cage Muses on Words Art Music.<\/u> Middletown, CT: Wesleyan University Press, 1996. <br><br>\r\nKostelanetz, Richard,ed. <u>John Cage: An Anthology.<\/u> New York: Praeger Publishers, Inc., 1970. <br><br>\r\nPerloff, Marjorie and Charles Junkerman, editors. <u>John Cage: Composed in America.<\/u> Chicago: University of Chicago Press, 1994. <br><br>\r\nPritchett, James. <u>The Music of John Cage.<\/u> Cambridge, UK:Cambridge University Press, 1993. <br><br>\r\nVaughan, David. <u>Merce Cunningham: Fifty Years.<\/u> New York: Aperture, 1997.\",
\"documents\": null,
\"see_also\": \"<a href=\/eai\/tape.jsp?itemID=2865><b>A Tribute to John Cage by Nam June Paik <\/b><\/a><br>\r\n<br><a href=\/eai\/artist.jsp?artistID=7664><b>Fluxus and Happenings<\/b><\/a>\",
\"url\": null,
\"notes\": \"Notify Laura Kuhn of John Cage Trust.\r\n<br><br>\r\nFor <em>One 11 and 103<\/em>, in addition to notifying Laura Kuhn, screenings and exhibitions should be cleared with Gene Caprioglio (gene.caprioglio@editionpeters.com) for rigts to the music, and with Henning Lohner (hlohner@lohnerranger.com) for rights to the film. CC Laura Kuhn. - from a phone conversation with Laura Kuhn on 5\/10\/12 - JK\",
\"royalty_notes\": null,
\"public_distribution_notes\": null,
\"artist_ex_id\": 156,
\"digitization_rights_and_restrictions\": null
}
}
],
\"price_scheme\": {
\"price_scheme_id\": 13593,
\"price_scheme_name\": \"090 - 119 min Standard+Blu-Ray\"
},
\"media_type\": {
\"media_type_id\": 5297,
\"media_type_desc\": \"16 mm film on video\"
},
\"title_image_extra_large\": {
\"user_file_id\": 4636,
\"object_id\": 1127,
\"xref_type\": \"TITLE_IMG_XL\",
\"filename\": \"cage_oneleven_xl.jpg\",
\"filepath\": \"\/user_files\/images\/title\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": null,
\"modified_date\": null
},
\"title_ex\": {
\"preservation_location\": null,
\"preservation_id\": null,
\"preservation_restoration_notes\": null,
\"preservation_restoration_report\": null,
\"preservation_restoration_history_and_notes\": null,
\"preservation_restoration_date\": null,
\"original_production_format\": \"35mm film\",
\"original_location\": null,
\"accession_format\": null,
\"misc_notes\": null,
\"other_titles\": null,
\"dub_notes\": \"01MD Toronto Film Festival purchase Beta NTSC 09\/03\/02\",
\"credits\": \"Director of Photography: Van Theodore Carson. Director: Henning Lohner. Editor: Bernadine Colish. Writer\/Composer: John Cage.\",
\"royalty_notes\": \"100% Payable to Henning Lohner\",
\"transcript\": null,
\"title_purpose_id\": null,
\"delivered_by\": null,
\"date_delivered\": null,
\"housing_information\": null,
\"cassette_information\": null,
\"digital_storage_notes\": \"\",
\"inspection_report\": null,
\"internal_supporting_notes\": \"From Laura Kuhn @ Cage Trust to JK (5\/31\/12): on the title:\r\n\r\n\\"it's the word One followed by a superscript 11, without space between them and fully italicized.\\"\r\n\r\n<i>One<sup>11<\/sup> and 103<\/i>\",
\"artist_statement\": null,
\"dubbing_instructions_and_technical_notes\": \"01MD Toronto Film Festival purchase Beta NTSC 09\/03\/02\",
\"dubmaster_physical_condition\": null,
\"dubmaster_notes_on_cassette\": null,
\"dubmaster_technical_condition\": null,
\"sound_notes\": null,
\"source_and_date_for_preservation_master_information\": null,
\"digital_master_carrier_id\": \"EAI-Archive\",
\"condition_report\": null,
\"location_of_duplicates_and_other_preservation_masters\": null,
\"retired_numbers\": null,
\"images_available_through_eai\": 1,
\"public_distribution_terms_and_usage\": \"This is a video transfer of a work initially shot on film. This must be shown as a <a href= \\"http:\/\/www.eai.org\/webPage.htm?id=1046\\">projection<\/a> in a darkened room with an excellent sound system and seating provided.<br><a href= \\"http:\/\/eai.org\/webPage.htm?id=1188\\">Projection Installation Checklist & Guidelines<\/a>\",
\"image_rights_and_restrictions_notes\": null,
\"title_ex_id\": 295,
\"aspect_ratio_id\": 71,
\"dubmaster_creation_date\": null,
\"digitization_rights_and_restrictions\": null,
\"file_names\": \"cage_one11and103-beta\",
\"file_size\": \"155.39 GB\",
\"digital_storage_creation_date\": \"2014-11-06T00:00:00-05:00\",
\"digital_master_carrier_location_lookup_id\": 216,
\"operator_lookup_id\": 259,
\"card_tbc_lookup_id\": 280,
\"hardware_lookup_id\": 285,
\"operating_system_lookup_id\": 286,
\"data_rate\": \"\",
\"software_lookup_id\": null,
\"video_compression_codec_lookup_id\": 241,
\"audio_compression_sampling_rate_lookup_id\": 250,
\"frame_rate_lookup_id\": 260,
\"video_low_rez_full_url\": \"286967597\",
\"video_low_rez_excerpt_url\": null,
\"video_low_rez_full_caption\": null,
\"video_low_rez_excerpt_caption\": null,
\"video_intro_url\": null,
\"video_intro_caption\": null,
\"video_intro_link_text\": null,
\"accession_notes\": null,
\"delivered_to\": null,
\"additional_digital_master_carrier\": \"18-Capture, 19-Capture\",
\"digital_version_master\": 0,
\"digital_version_dvd\": 0,
\"video_education_url\": null,
\"video_education_caption\": null,
\"digital_master_file_type_id\": 75
},
\"supporting_documents\": [
{
\"supporting_document_id\": 116,
\"title\": \"Interactions\",
\"ed_site_only\": false,
\"published\": 1,
\"supporting_document_category_id\": 67,
\"supporting_document_navigation_category_lookup_id\": 35,
\"author\": \"\",
\"source_recieved_from\": \"\",
\"document_title\": \"\",
\"date_of_item\": null,
\"long_desc\": \"Program Notes for Interactions, an exhibition presented by NY Center for Media Arts and EAI in October 2002.\",
\"short_desc\": \"Program Notes for Interactions, an exhibition presented by NY Center for Media Arts and EAI in October 2002.\",
\"video_url\": null,
\"audio_url\": null,
\"html\": null,
\"internal_notes\": \"\",
\"digital_location\": \"\",
\"physical_location\": \"\",
\"date_digitized\": null,
\"file_type\": null,
\"rights_and_restrictions\": \"\",
\"courtesy_permission\": \"\",
\"date_created\": \"2008-03-20T13:11:00-04:00\",
\"created_by_eai_user_id\": 13317,
\"date_modified\": \"2013-08-06T11:35:41-04:00\",
\"modified_by_eai_user_id\": 13998,
\"display_date\": null,
\"supporting_document_url\": null,
\"template\": \"supporting_doc_file\",
\"sequence_on_web_pages\": 0,
\"_joinData\": {
\"id\": 926,
\"title_id\": 1127,
\"supporting_document_id\": 116
},
\"supporting_document_image_small\": {
\"user_file_id\": 6915,
\"object_id\": 116,
\"xref_type\": \"SUP_DOC_IMG_S\",
\"filename\": \"pn_icon1.jpg\",
\"filepath\": \"\/user_files\/images\/supporting_document\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2008-03-21T11:38:00-04:00\",
\"modified_date\": \"2008-03-21T11:38:00-04:00\"
},
\"supporting_document_navigation_category\": {
\"lookup_id\": 35,
\"lookup_type\": 210,
\"name\": \"Documents\",
\"date_created\": \"2013-09-12T13:51:30-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2013-09-12T13:51:30-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": \"40\"
},
\"supporting_document_category\": {
\"lookup_id\": 67,
\"lookup_type\": 10,
\"name\": \"Program Notes\",
\"date_created\": \"2008-03-03T07:55:00-05:00\",
\"created_by_eai_user_id\": 8470,
\"date_modified\": \"2008-03-03T07:55:00-05:00\",
\"modified_by_eai_user_id\": 8470,
\"long_description\": null
}
}
]
}")
Program Notes
Program Notes for Interactions, an exhibition presented by NY Center for Media Arts and EAI in October 2002.
©1997 - 2026, Electronic Arts Intermix