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Let Me Count the Ways: Minus 6
Leslie Thornton
2006, 2 min, b&w, sound
More Info
Description
Ordering & Fees
Documents
Titles by Leslie Thornton
+
Adynata
Another Worldy
Bedtime
Binocular Menagerie
Chimp for Normal Short
Have A Nice Day Alone
Introduction to the So-Called Duck-Factory
Jennifer, Where Are You?
Let Me Count the Ways: Minus 10, Minus 9, Minus 8, and Minus 7
Let Me Count the Ways: Minus 6
Novel City
Paradise Crushed
Peggy and Fred and Pete
Peggy and Fred in Hell: The Prologue
Peggy and Fred in Kansas
Philosophers Walk on the Sublime
Photography is Easy
Sahara/Mojave
SONGS One Two Three
Strange Space
The Fold
The Last Time I Saw Ron
The Problem So Far
There Was an Unseen Cloud Moving
Whirling
X-TRACTS
[Dung Smoke Enters the Palace]
Description
Ordering & Fees
Documents
Titles by Leslie Thornton
+
Adynata
Another Worldy
Bedtime
Binocular Menagerie
Chimp for Normal Short
Have A Nice Day Alone
Introduction to the So-Called Duck-Factory
Jennifer, Where Are You?
Let Me Count the Ways: Minus 10, Minus 9, Minus 8, and Minus 7
Let Me Count the Ways: Minus 6
Novel City
Paradise Crushed
Peggy and Fred and Pete
Peggy and Fred in Hell: The Prologue
Peggy and Fred in Kansas
Philosophers Walk on the Sublime
Photography is Easy
Sahara/Mojave
SONGS One Two Three
Strange Space
The Fold
The Last Time I Saw Ron
The Problem So Far
There Was an Unseen Cloud Moving
Whirling
X-TRACTS
[Dung Smoke Enters the Palace]
Let Me Count the Ways: Minus 6
Leslie Thornton
2006, 2 min, b&w, sound
Documents
SHORT SHORTS
Press Release
Press release for SHORT SHORTS EAI's summer screening in August 2010.
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\"short_desc\": \"Writes Thornton: \\"I am interested in the parallels between the calculated use of the media by Hitler, his theatrical training, and the cynical deployment of the mass media in waging present day politics and warfare. The image of Hitler is always horrifying. Observing him rehearse his dramatics for the camera is chilling because we know that is what is happening today.\\"\",
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\"short_bio\": \"Refracted through archival material, texts, found footage and dense soundtracks, Leslie Thornton's rigorously experimental film and video work is an investigation into the production of meaning through media. Her epic project <i>Peggy and Fred in Hell<\/i> is an ongoing cycle of interrelated films, videos and installation environments. Exploring the aesthetics of narrative form as well as the politics of the image, Thornton forges a unique and strangely beautiful syntax, one that poses its critique at the same time that it mesmerizes and confounds.\",
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\"bibliography\": \"Kenaga, Heidi. \\"The New American Cinema,\\" <i>Film Quarterly,<\/i> June 22 1999.\r\n<br><br>\r\nMilutis, Joe. \\"The Girls Without the Camera in Their Heads: An Interview with Leslie Thornton,\\" <i>Afterimage,<\/i> January 01 2000.\",
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