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\"long_desc\": \"Writes Pearlstein: \\"A white cat, the Playboy party jokes girl, an artist\/florist, and the Energizer bunny are among the disparate characters who inhabit <i>Interiors,<\/i> a loop of six scenes based on a series of drawings. Like animated pictures, each depicts an interior landscape which transforms through the interventions of its residents as they work and play in, and dress and undress their set(tings). A baton is passed from one scene to the next, an inheritance like a hand-me-down, whose purpose, once altered, is then left behind, linking these narrative moments like rooms in a house whose owner keeps re-decorating.\\"\",
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\"short_desc\": \"Young and Restless featured 21 recent performance-based works by 17 women artists. These energetic, often ironic pieces, made between 1993 and 1997, showcased artists who engage in dynamic explorations of female identity. Organized into 4 programs, each between 45 minutes and one hour in length, the exhibition was curated by Stephen Vitiello, co-organized by Barbara London and Sally Berger, The Museum of Modern Art, New York, and distributed by EAI.\",
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\"slug\": \"alix-pearlstein\",
\"first_name\": \"Alix\",
\"last_name\": \"Pearlstein\",
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\"link_title\": \"Alix Pearlstein\",
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\"sex\": \"Female\",
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\"short_bio\": \"Alix Pearlstein's performance-based videos function as abstract dramas, operating in a realm between the theatrical and the cinematic. With deadpan humor and a minimalist aesthetic, she employs stylized gestures, role-playing and pop cultural references to create narrative meaning, or uses actors to examine group dynamics and social constructs. Exploring performative strategies, these works, often set in an indeterminate void, condense psychological narrative to expose heightened realities.\",
\"long_bio\": \"In work that includes conceptual sculpture, multi-channel installation, and performance-based video, Alix Pearlstein uses everyday objects, pop cultural artifacts, and art historical references to create narrative meaning through association. Characterized by deadpan humor and a minimalist aesthetic, Pearlstein's approach is direct and intimate. Her videotapes engage in wry, self-conscious renderings of icons of style, gender, media, and art historical Modernism. \r\n\r\n\tPearlstein's earliest videos exhibit a deliberately low-tech, grunge sensibility that is countered by the cool, stylized elegance of her more recent works. Throughout these works, Pearlstein appears as performer, adopting ironic postures and role-playing to tweak the images and codes that signify female identity in a media-based culture. \r\n\r\nHer more recent videos, which feature groups of actors, function as abstract dramas operating in a realm between the theatrical and the cinematic. They examine behavior, relationships, group dynamics and social constructs. Informed by an exploration of performative strategies, these works, often set in an indeterminate void, condense psychological narrative to create a heightened reality.\r\n\r\n Alix Pearlstein was born in 1962 in New York. She received her B.S. from Cornell University and her M.F.A. from the State University of New York. She has received awards and grants from the National Endowment for the Arts, Art Matters Inc., the Edward F. Albee Foundation, and the McDowell Colony. Her works have been included in group exhibitions at the Biennale de Lyon, France; Institute of Contemporary Art, London; Kunstverein, Cologne; S.M.A.K., Ghent, Belgium, and The Museum of Modern Art, New York, among others. One-person exhibitions of her work have been presented at The Kitchen, New York; MIT List Visual Arts Center, Cambridge, MA; Museum of Contemporary Art, Chicago; Postmasters Gallery, Artemis Greenberg Van Doren Gallery, and On Stellar Rays, New York; and The Grossman Gallery, School of The Museum of Fine Arts, Boston. \r\n\r\nPearlstein lives in New York.\",
\"bibliography\": \"Amalfitano, Lilia. <u>Still\/Pause: Speculative Narratives.<\/u> Boston, MA: The Grossman Gallery, The Museum of Fine Arts, 1998.<br><br>\r\nGriffin, Tim. \\"Partners: Alix Pearlstein.\\" <u>Artbyte<\/u> Apr.-May 1999. <br><br>\r\nSchaffner, Ingrid. \\"Alix Pearlstein: Interiors.\\" <u>Artforum<\/u> Jan. 1997<br><br>\r\nSmith, Roberta. \\"Family Tensions and Joy, Played But Not Spoken.\\" <u>New York Times<\/u> 13 Sept. 2002.\",
\"documents\": \"Smith, Roberta. \\"Family Tensions and Joy, Played But Not Spoken<\/a>.\\" <u>New York Times<\/u> 13 Sept. 2002. <a href=\\"http:\/\/www.eai.org\/eai\/documents\/Pearlstein_NYTimes.html\\" target=\\"_new\\"><b>Read review<\/b><\/a>\",
\"see_also\": \"<a href=pearlstein.jsp><b>The Buzz, Landing, Squatter\r\n<\/b><\/a>\r\n<br><br>\r\n<a href=young_restless.jsp><b>Young and Restless<\/b><\/a>\",
\"url\": \"<b><a href=\\"http:\/\/www.alixpearlstein.com\\" target=\\"_new\\">www.alixpearlstein.com<\/a><\/b>\",
\"notes\": \"In a meeting with L Zippay and R Cleman, on 6\/7\/11, Alix noted that \\"all\\" of her work is editioned. The details of this need to be clarified, as EAI had been under the impression that earlier works were not editioned. All inquiries for screenings, exhibitions, and certainly for archival purchases, should be passed by Alix and her gallerist. (R Cleman, 6\/7\/11)\",
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\"credits\": \"<i>Camera: Alix Pearlstein. Editing: Robert Beck, Electronic Arts Intermix. Performers: Alix Pearlstein, Bogie Banovich. Lena Dunham, <a href=\\"artistTitles.htm?id=316\\"><strong>Michael Smith<\/strong><\/a>. <\/i>\",
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Program Notes
Program notes for an exhibition of video works from the EAI archives at MoMa NYC in the Spring of 1997.
©1997 - 2026, Electronic Arts Intermix