Images
![/user_files/supporting_documents/GOLDEN_VOYAGE.jpg](/user_files/supporting_documents/GOLDEN_VOYAGE.jpg "{
\"title_id\": 2633,
\"slug\": \"golden-voyage\",
\"title\": \"Golden Voyage\",
\"subtitle\": null,
\"title_translation\": null,
\"alternate_title\": null,
\"completion_date\": \"1973\",
\"media_type_id\": 207,
\"running_time\": \"14:12 min\",
\"color\": \"color\",
\"sound\": \"sound\",
\"by_credit\": null,
\"price_scheme_id\": null,
\"image_url\": \"vasulka.voyage.gif\",
\"quicktime_url\": null,
\"keywords\": \"image processing\r\nabstraction\r\nelectronic imaging\r\nSurrealism\r\nMagritte\",
\"short_desc\": null,
\"long_desc\": \"In this early work, an electronic homage to Magritte, the Vasulkas demonstrate fundamental imaging techniques. Inspired by Magritte's painting <i>The Golden Legend,<\/i> this exercise employs a three-camera set-up, with images layered through a multikeyer, to create the illusion of objects moving through spatial planes. Loaves of French bread embark on a surreal video journey through electronic landscapes, finally arriving in an abstract space. The animated loaves add sense of playfulness to this early articulation of illusory space and three-dimensionality in video.\",
\"unique_id\": \"1961\",
\"extent\": null,
\"distribution_terms_and_usage\": \"\",
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"1998-10-09T13:30:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2023-09-29T19:55:56-04:00\",
\"modified_by_eai_user_id\": 14405,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 1568,
\"running_time_seconds\": 852,
\"language\": null,
\"featured\": 0,
\"title_video_high_rez_full\": {
\"user_file_id\": 8930,
\"object_id\": 2633,
\"xref_type\": \"TITLE_VIDEO_HIREZ_FULL\",
\"filename\": \"vasulka_golden_vod.qtl\",
\"filepath\": \"\/user_files\/videos\/title\/hifull\/\",
\"content_type\": null,
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2008-12-03T13:22:00-05:00\",
\"modified_date\": \"2008-12-03T13:22:00-05:00\"
},
\"contained_titles\": [],
\"see_also_titles\": [],
\"containing_titles\": [],
\"see_also_artists\": [],
\"artists\": [
{
\"artist_id\": 299,
\"slug\": \"steina-and-woody-vasulka\",
\"first_name\": \"Steina and Woody\",
\"last_name\": \"Vasulka\",
\"alternate_name\": null,
\"link_title\": \"Steina and Woody Vasulka\",
\"artist_group\": 1,
\"group_contact\": \"\",
\"sex\": \"\",
\"cultural_background\": \"\",
\"birth_year\": \"\",
\"birth_place\": \"\",
\"death_year\": \"\",
\"ss_num_or_tax_id\": \"\",
\"image_url\": \"vasulka.voyage.gif\",
\"quicktime_url\": null,
\"keywords\": \"the vasulkas\r\nvasulkas \",
\"published\": 0,
\"date_created\": \"2001-10-12T16:43:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2026-02-18T09:02:51-05:00\",
\"modified_by_eai_user_id\": 14405,
\"collective_name\": \"\",
\"artist_ex_id\": 47,
\"artist_address_id\": 47,
\"featured\": 0,
\"_joinData\": {
\"id\": 817,
\"artist_id\": 299,
\"title_id\": 2633
},
\"with_and_about_titles\": [
{
\"title_id\": 2271,
\"slug\": \"binary-lives\",
\"title\": \"Binary Lives\",
\"subtitle\": \"\",
\"title_translation\": \"\",
\"alternate_title\": \"\",
\"completion_date\": \"1997\",
\"media_type_id\": 207,
\"running_time\": \"43 min\",
\"color\": \"color\",
\"sound\": \"sound\",
\"by_credit\": \"\",
\"price_scheme_id\": 4451,
\"image_url\": null,
\"quicktime_url\": null,
\"keywords\": null,
\"short_desc\": null,
\"long_desc\": \"This illuminating documentary is a comprehensive view of the life and work of Woody and Steina Vasulka, pioneers of electronic art. From the late 1960s in New York, where they founded The Kitchen, to their present home in New Mexico, the Vasulkas trace their involvement with video and their relationship to the technologies they deploy. In fascinating insights, the Vasulkas reveal the sources and philosophical underpinnings that inform their work. For Woody, this focuses on an attempt to expose the inner logic and architecture of the electronic machine, while Steina focuses on images of the world and how they can be manipulated. Shot over a two-year period, this program includes excerpts from the Vasulkas' video works, as well as interviews.\",
\"unique_id\": \"2035\",
\"extent\": null,
\"distribution_terms_and_usage\": null,
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"1998-06-25T15:52:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2017-01-06T14:49:15-05:00\",
\"modified_by_eai_user_id\": 13321,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 820,
\"running_time_seconds\": 2580,
\"language\": null,
\"featured\": 0,
\"_joinData\": {
\"id\": 3,
\"title_id\": 2271,
\"artist_id\": 299
}
}
],
\"artist_ex\": {
\"group_members\": \"\",
\"short_bio\": \"<a href=\\"artistTitles.htm?id=381\\"><strong>Steina<\/strong><\/a> and <a href=\\"artistTitles.htm?id=266\\"><strong>Woody Vasulka<\/strong><\/a> are pioneers who have contributed to the evolution of video art. The Vasulkas' investigations into analog and digital processes and their development of electronic imaging tools, which began in the early 1970s, place them among the primary architects of an expressive electronic vocabulary of image-making. They chart the evolving formulation of a syntax of electronic imaging as they articulate a processual dialogue between artist and technology.\",
\"long_bio\": \"<a href=\\"artistTitles.htm?id=381\\"><b>Steina<\/b><\/a> and <a href=\\"artistTitles.htm?id=266\\"><b>Woody Vasulka<\/b><\/a> are major figures in video history, technical pioneers who have contributed enormously to the evolution of the medium. The Vasulkas' technological investigations into analog and digital processes and their development of electronic imaging tools, which began in the early 1970s, place them among the primary architects of an expressive electronic vocabulary of image-making. Applying an informal, real-time spontaneity to their formalist, often didactic technical research, they chart the evolving formulation of a grammar and syntax of electronic imaging as they articulate a processual dialogue between artist and technology. \r\n\r\nThe Vasulkas' early collaborative efforts, produced from 1970 to 1974, include phenomenological explorations that deconstruct the materiality of the electronic signal and analyze the imaging capabilities of video tools. Central to these increasingly complex exercises are explorations of the malleability of the image, the manipulation of electronic energy, and the interrelation of sound and image. \r\n\r\nIn the mid-1970s, working with such engineer\/designers as Eric Siegel, George Brown, Steve Rutt and Bill Etra, the Vasulkas developed electronic tools specifically for use by artists. With Jeffrey Schier they developed the Digital Image Articulator, a device that allows the digital processing of video imagery in real-time. Steina's training as a violinist, and Woody Vasulka's background as an engineer and filmmaker, informed their invention of electronic devices to transform sound, image, space and time — themes that they have pursued independently in their later works. Though the Vasulkas continue to collaborate, since 1975 they have produced much of their work individually. \r\n\r\nThe Vasulkas immigrated to the United States in 1965, and began their collaborative exploration of electronic media in 1969. In 1971, they co-founded The Kitchen, a major alternative exhibition and media arts center in New York. From 1973 to 1979, the Vasulkas lived and worked in Buffalo, New York, where they were faculty members at the Center for Media Study, State University of New York. The Vasulkas have received numerous awards for their work in the media arts, including grants and fellowships from the National Endowment for the Arts, the New York State Council on the Arts, and the Corporation for Public Broadcasting. In 1989, they received a United States\/Japan Exchange Fellowship from the National Endowment for the Arts. The Vasulkas have broadcast and exhibited their collaborative works extensively throughout the United States, Europe, and Japan, at institutions including The Institute of Contemporary Art, Boston; Everson Museum of Art, Syracuse; Institute of Contemporary Art, Philadelphia; Albright-Knox Gallery, Buffalo; and The Museum of Modern Art, New York, among many others. They had a retrospective at Berg Contemporary, Iceland in 2018. \r\n\",
\"bibliography\": null,
\"documents\": null,
\"see_also\": \"<a href=\/eai\/tape.jsp?itemID=2271>Binary Lives<\/b><\/a>, <i>1997, 43 min, color, sound<\/i>\u00a0 \r\n<br><br>\r\n<a href=\/eai\/artist.jsp?artistID=381><b>Steina<\/b><\/a>\r\n<br><br>\r\n<a href=\/eai\/artist.jsp?artistID=266><b>Woody Vasulka<\/b><\/a>\",
\"url\": \"<a href=\\"http:\/\/www.vasulka.org\\">\r\n<b>http:\/\/www.vasulka.org<\/a><\/b><br><br>\r\n<a href=\\"http:\/\/www.artscilab.org\/VasulkaArchive.html\\">\r\n<b>http:\/\/www.artscilab.org\/VasulkaArchive.html<\/a><\/b>\r\n<br><br>\r\n<a href=\\"http:\/\/www.fondation-langlois.org\/e\/collection\/vasulka\/archives\/index.html\\"><b> http:\/\/www.fondation-langlois.org\/e\/collection\/vasulka\/archives\/index.html<\/b><\/a>\",
\"notes\": \"For items formerly in EAI collection, see Withdrawn Items database in EAI 1.\",
\"royalty_notes\": null,
\"public_distribution_notes\": null,
\"artist_ex_id\": 47,
\"digitization_rights_and_restrictions\": null
}
}
],
\"price_scheme\": null,
\"media_type\": {
\"media_type_id\": 207,
\"media_type_desc\": \"Video\"
},
\"title_image_extra_large\": {
\"user_file_id\": 3706,
\"object_id\": 2633,
\"xref_type\": \"TITLE_IMG_XL\",
\"filename\": \"_xl\/vasulkas_voyage_xl.jpg\",
\"filepath\": \"\/user_files\/images\/title\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": null,
\"modified_date\": null
},
\"title_ex\": {
\"preservation_location\": \"Vasulkas\",
\"preservation_id\": null,
\"preservation_restoration_notes\": \"CEHI: Also listed separately as Unique ID#41\",
\"preservation_restoration_report\": \"\",
\"preservation_restoration_history_and_notes\": null,
\"preservation_restoration_date\": null,
\"original_production_format\": null,
\"original_location\": null,
\"accession_format\": null,
\"misc_notes\": null,
\"other_titles\": null,
\"dub_notes\": null,
\"credits\": \"6 Input Keyer-Mixer\/Gen-Lock System: George Brown. Dual Colorizer: Eric Siegel.\",
\"royalty_notes\": null,
\"transcript\": null,
\"title_purpose_id\": null,
\"delivered_by\": null,
\"date_delivered\": null,
\"housing_information\": null,
\"cassette_information\": null,
\"digital_storage_notes\": null,
\"inspection_report\": null,
\"internal_supporting_notes\": \"\",
\"artist_statement\": \"\",
\"dubbing_instructions_and_technical_notes\": null,
\"dubmaster_physical_condition\": \"\",
\"dubmaster_notes_on_cassette\": null,
\"dubmaster_technical_condition\": \"\",
\"sound_notes\": \"\",
\"source_and_date_for_preservation_master_information\": null,
\"digital_master_carrier_id\": null,
\"condition_report\": null,
\"location_of_duplicates_and_other_preservation_masters\": null,
\"retired_numbers\": null,
\"images_available_through_eai\": 1,
\"public_distribution_terms_and_usage\": \"\",
\"image_rights_and_restrictions_notes\": \"\",
\"title_ex_id\": 1568,
\"aspect_ratio_id\": null,
\"dubmaster_creation_date\": null,
\"digitization_rights_and_restrictions\": \"\",
\"file_names\": null,
\"file_size\": null,
\"digital_storage_creation_date\": null,
\"digital_master_carrier_location_lookup_id\": null,
\"operator_lookup_id\": null,
\"card_tbc_lookup_id\": null,
\"hardware_lookup_id\": null,
\"operating_system_lookup_id\": null,
\"data_rate\": null,
\"software_lookup_id\": null,
\"video_compression_codec_lookup_id\": null,
\"audio_compression_sampling_rate_lookup_id\": null,
\"frame_rate_lookup_id\": null,
\"video_low_rez_full_url\": \"286976481\",
\"video_low_rez_excerpt_url\": null,
\"video_low_rez_full_caption\": null,
\"video_low_rez_excerpt_caption\": null,
\"video_intro_url\": null,
\"video_intro_caption\": null,
\"video_intro_link_text\": null,
\"accession_notes\": null,
\"delivered_to\": null,
\"additional_digital_master_carrier\": null,
\"digital_version_master\": 0,
\"digital_version_dvd\": 0,
\"video_education_url\": null,
\"video_education_caption\": null,
\"digital_master_file_type_id\": null
},
\"supporting_documents\": [
{
\"supporting_document_id\": 300,
\"title\": \"Annual video-tape extravaganza stresses a women's point of view, Popular Photography\",
\"ed_site_only\": false,
\"published\": 1,
\"supporting_document_category_id\": 83,
\"supporting_document_navigation_category_lookup_id\": 35,
\"author\": \"Roy Pinney\",
\"source_recieved_from\": \"Popular Photography\",
\"document_title\": null,
\"date_of_item\": null,
\"long_desc\": \"<b>Rob Pinney, \\"Annual video-tape extravaganza stresses a women's point of view\\"<\/b> <br><em>Popular Photography<\/em> (1973): 22, 108. \r\n\r\n<p>Roy Pinney reviews the Second Annual Women\u00cds Video Festival, held at The Kitchen in 1973. He hails the videotape as the \\"newest art form to articulate the inner spirit of our time\\" and argues that the medium is a valuable tool for female artists to reach out with their messages. He particularly stresses the fact that it is a brand new medium that gives women \\"an opportunity to participate on an equal footing with men right from the beginning of its development.\\" Pinney welcomes the Vasulka's screening projects, since there are few places for artists' videos to be shown. Organizer Susan Milano points out that the opportunities for exhibiting tapes are still scarce.\",
\"short_desc\": \"<b>Rob Pinney, \\"Annual video-tape extravaganza stresses a women's point of view\\"<\/b> <br><em>Popular Photography<\/em> (1973): 22, 108. \r\n<p>Roy Pinney reviews the Second Annual Women's Video Festival, held at The Kitchen in 1973; he hails the videotape as the \\"newest art form to articulate the inner spirit of our time.\\"\",
\"video_url\": null,
\"audio_url\": null,
\"html\": null,
\"internal_notes\": \"Popular Photography (1973): 22, 108.\",
\"digital_location\": null,
\"physical_location\": null,
\"date_digitized\": null,
\"file_type\": null,
\"rights_and_restrictions\": null,
\"courtesy_permission\": null,
\"date_created\": \"2008-06-12T16:53:00-04:00\",
\"created_by_eai_user_id\": 13322,
\"date_modified\": \"2014-06-13T11:22:02-04:00\",
\"modified_by_eai_user_id\": 14209,
\"display_date\": \"1973\",
\"supporting_document_url\": null,
\"template\": \"supporting_doc_file\",
\"sequence_on_web_pages\": 10,
\"_joinData\": {
\"id\": 613,
\"title_id\": 2633,
\"supporting_document_id\": 300
},
\"supporting_document_image_small\": {
\"user_file_id\": 13888,
\"object_id\": 300,
\"xref_type\": \"SUP_DOC_IMG_S\",
\"filename\": \"annual-1.jpg\",
\"filepath\": \"\/user_files\/supporting_documents\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2014-05-23T13:46:01-04:00\",
\"modified_date\": \"2014-05-23T13:46:01-04:00\"
},
\"supporting_document_navigation_category\": {
\"lookup_id\": 35,
\"lookup_type\": 210,
\"name\": \"Documents\",
\"date_created\": \"2013-09-12T13:51:30-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2013-09-12T13:51:30-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": \"40\"
},
\"supporting_document_category\": {
\"lookup_id\": 83,
\"lookup_type\": 10,
\"name\": \"Review\",
\"date_created\": \"2008-06-05T12:55:00-04:00\",
\"created_by_eai_user_id\": 13322,
\"date_modified\": \"2008-06-05T12:55:00-04:00\",
\"modified_by_eai_user_id\": 13322,
\"long_description\": null
}
},
{
\"supporting_document_id\": 295,
\"title\": \"Second Annual Women's Video Festival: Program\",
\"ed_site_only\": false,
\"published\": 1,
\"supporting_document_category_id\": 67,
\"supporting_document_navigation_category_lookup_id\": 35,
\"author\": null,
\"source_recieved_from\": null,
\"document_title\": null,
\"date_of_item\": null,
\"long_desc\": \"<b>Second Annual Women's Video Festival: Program<\/b> <br>(September 28-October 14, 1973)\r\n<p>This two-page document is the program for the second Women's Video Festival, held at the Loguidice Gallery from September 28-October 14, 1973. The program lists 57 afternoon and evening screenings of works produced primarily by women living in the U.S., but also by a small number of English and Canadian women.\",
\"short_desc\": \"<b>Second Annual Women's Video Festival: Program<\/b> <br>(September 28-October 14, 1973)\r\n<p>This document is the program for the second Women's Video Festival, held at the Loguidice Gallery from September 28-October 14, 1973.\",
\"video_url\": null,
\"audio_url\": null,
\"html\": null,
\"internal_notes\": null,
\"digital_location\": null,
\"physical_location\": null,
\"date_digitized\": null,
\"file_type\": null,
\"rights_and_restrictions\": null,
\"courtesy_permission\": null,
\"date_created\": \"2008-06-12T16:28:00-04:00\",
\"created_by_eai_user_id\": 13322,
\"date_modified\": \"2014-06-13T11:11:40-04:00\",
\"modified_by_eai_user_id\": 14209,
\"display_date\": \"September 28-October 14, 1973\",
\"supporting_document_url\": null,
\"template\": \"supporting_doc_file\",
\"sequence_on_web_pages\": 10,
\"_joinData\": {
\"id\": 1225,
\"title_id\": 2633,
\"supporting_document_id\": 295
},
\"supporting_document_image_small\": {
\"user_file_id\": 13883,
\"object_id\": 295,
\"xref_type\": \"SUP_DOC_IMG_S\",
\"filename\": \"secondprogram-1_2.jpg\",
\"filepath\": \"\/user_files\/supporting_documents\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2014-05-23T12:03:44-04:00\",
\"modified_date\": \"2014-05-23T12:03:44-04:00\"
},
\"supporting_document_navigation_category\": {
\"lookup_id\": 35,
\"lookup_type\": 210,
\"name\": \"Documents\",
\"date_created\": \"2013-09-12T13:51:30-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2013-09-12T13:51:30-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": \"40\"
},
\"supporting_document_category\": {
\"lookup_id\": 67,
\"lookup_type\": 10,
\"name\": \"Program Notes\",
\"date_created\": \"2008-03-03T07:55:00-05:00\",
\"created_by_eai_user_id\": 8470,
\"date_modified\": \"2008-03-03T07:55:00-05:00\",
\"modified_by_eai_user_id\": 8470,
\"long_description\": null
}
},
{
\"supporting_document_id\": 406,
\"title\": \"Steina and Woody Vasulka's typed description of Golden Voyage\",
\"ed_site_only\": false,
\"published\": 1,
\"supporting_document_category_id\": 80,
\"supporting_document_navigation_category_lookup_id\": 34,
\"author\": null,
\"source_recieved_from\": null,
\"document_title\": null,
\"date_of_item\": null,
\"long_desc\": \"Steina and Woody Vasulka's typed description of Golden Voyage.\",
\"short_desc\": \"<br>\r\n<p>Steina and Woody Vasulka's typed description of Golden Voyage.\",
\"video_url\": null,
\"audio_url\": null,
\"html\": null,
\"internal_notes\": \"Exists as part of Kinetic History, Vasulka Video, Early Tapes and Tools.\",
\"digital_location\": null,
\"physical_location\": null,
\"date_digitized\": null,
\"file_type\": null,
\"rights_and_restrictions\": null,
\"courtesy_permission\": null,
\"date_created\": \"2009-01-13T14:40:00-05:00\",
\"created_by_eai_user_id\": 13317,
\"date_modified\": \"2014-07-25T10:27:45-04:00\",
\"modified_by_eai_user_id\": 14209,
\"display_date\": null,
\"supporting_document_url\": null,
\"template\": \"supporting_doc_image\",
\"sequence_on_web_pages\": 16,
\"_joinData\": {
\"id\": 1282,
\"title_id\": 2633,
\"supporting_document_id\": 406
},
\"supporting_document_image_small\": {
\"user_file_id\": 14256,
\"object_id\": 406,
\"xref_type\": \"SUP_DOC_IMG_S\",
\"filename\": \"GOLDEN_VOYAGE.jpg\",
\"filepath\": \"\/user_files\/supporting_documents\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2014-07-25T10:27:45-04:00\",
\"modified_date\": \"2024-08-06T10:06:57-04:00\"
},
\"supporting_document_navigation_category\": {
\"lookup_id\": 34,
\"lookup_type\": 210,
\"name\": \"Images\",
\"date_created\": \"2013-09-12T13:51:30-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2013-09-12T13:51:30-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": \"30\"
},
\"supporting_document_category\": {
\"lookup_id\": 80,
\"lookup_type\": 10,
\"name\": \"Articles and Essays\",
\"date_created\": \"2008-06-05T12:12:00-04:00\",
\"created_by_eai_user_id\": 13322,
\"date_modified\": \"2008-06-05T12:12:00-04:00\",
\"modified_by_eai_user_id\": 13322,
\"long_description\": null
}
}
]
}")
Articles and Essays
Steina and Woody Vasulka's typed description of Golden Voyage.
©1997 - 2026, Electronic Arts Intermix
Steina and Woody Vasulka's typed description of Golden Voyage.
