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Godiva
Ursula Hodel
1997, 4:31 min, color, sound
More Info
Description
Ordering & Fees
Images
Documents
Titles by Ursula Hodel
+
Amore Amore
Cinderella 2001
Cornuto
Eskimo Woman
FAT
Fencing
Freckles
Gap
Godiva
Havana
Imelda
Makeover
Mermaid
Milking the Swiss Cow
Nine Thousand
O-C-D (Obsessive Compulsive Disorder)
Past Life: Blue Violet
Past Life: Egypt
Past Life: Fisherman's Woman
Past Life: Joan of Arc
Past Life: Queen Christina
Past Life: Tausend und eine Nacht (The Arabian Nights)
Past Life: White Room
Picasso's Model
Rooms
Shame On You (24 Coats)
Speedo
Xmas Tree
Description
Ordering & Fees
Images
Documents
Titles by Ursula Hodel
+
Amore Amore
Cinderella 2001
Cornuto
Eskimo Woman
FAT
Fencing
Freckles
Gap
Godiva
Havana
Imelda
Makeover
Mermaid
Milking the Swiss Cow
Nine Thousand
O-C-D (Obsessive Compulsive Disorder)
Past Life: Blue Violet
Past Life: Egypt
Past Life: Fisherman's Woman
Past Life: Joan of Arc
Past Life: Queen Christina
Past Life: Tausend und eine Nacht (The Arabian Nights)
Past Life: White Room
Picasso's Model
Rooms
Shame On You (24 Coats)
Speedo
Xmas Tree
Godiva
Ursula Hodel
1997, 4:31 min, color, sound
Images
"Edited at EAI": Artist to Artist
Event Documentation: Image
"Edited at EAI": Artist to Artist, June 16, 2016
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\"short_bio\": \"With irony, humor, and an outrageous sense of style, Ursula Hodel's performance gestures conflate desire, consumerism, vanity, and the female body — and put a new spin on the idea of video as mirror. Using herself as the main subject of her video work, Hodel explores notions of beauty, hedonism, narcissism and self-obsession.\",
\"long_bio\": \"With irony, humor and an outrageous sense of style, Ursula Hodel's performance gestures conflate desire, consumerism, vanity, and the female body, and put a new spin on the idea of video as mirror. Using herself as the main subject of her video work, Hodel explores notions of beauty, hedonism, narcissism and self-obsession.\r\n\r\nHodel began producing video in 1995, after pursuing eclectic fields and media, including ceramics, psychology and fencing. Her body of video work is divided into two main series. The <I>Past Lives<\/I> series includes works based on texts written by the artist during states of trance. Here she combines narrative with poetic images, locating her stories in a grey area suspended between the real and the fictional. In the <I>Performance Tapes<\/I> series, Hodel enacts intimate acts of indulgence and self-gratification, such as eating, masturbating, or changing clothes. While the first series of works presents the artist as silent and reflective, with only a voice-over unfolding the narrative, the <I>Performance Tapes<\/I> are more dynamic, with the artist engaged in ritualized and compulsive activities. In many of her videos, Hodel appears wearing glamorous couture outfits and make-up, offering an intriguing contrast between an image of alluring diva and the ageing female body.\r\n\r\nMost of Hodel's videos are set in private spaces, including her own apartment or hotel rooms. She uses the video camera as mirror for intense and dramatic performances in which she focuses on the objects, images, rituals, and fantasies through which her desire takes form. Her works manifest a dichotomy between a narcissistic desire, in which the artist seeks a reflection of herself, and a desire to translate her passions into activities. Hodel's videos also reveal a tension between performing in private, exclusively for herself, and performing in front of a camera, in which she presents herself to an audience. During the recording process, Hodel works completely alone before the camera, while the image and sound post-production that defines many of her pieces is highly collaborative.\r\n\r\nWith their elements of luxury, glamour and fetishization of everyday objects, as well as their focus on the psychological relation between desire and reality, Hodel's works present a startling and ambiguous glimpse into contemporary notions of consumerism, narcissism, and self-image.\r\n\r\nUrsula Hodel was born in Solothurn, Switzerland. She attended the Royal Academy of Fine Art in Brighton, England. Her work has been shown both nationally and internationally, at venues such as the Centre d'Art Contemporain de Rueil, Malmaison, France; Museum Artes, Quito, Ecuador; The Euro Underground Film Festival, Paris; Palm Beach Institute of Contemporary Art, Florida; Artists Space, New York; Swiss Institute, New York; Solomon R. Guggenheim Museum, New York; and The Museum of Modern Art, New York.\r\n\r\nHodel lives in New York City.\",
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\"html\": \"<html>\r\n<head>\r\n<title>Gerry Schum @ EAI<\/title>\r\n<meta http-equiv=\\"Content-Type\\" content=\\"text\/html; charset=iso-8859-1\\" \/>\r\n<style type=\\"text\/css\\">\r\nt.left {}\r\nh.red {font-family:Helvetica, Arial, Verdana, sans-serif; font-weight:bold; color:#990000}\r\np.two {line-height:200%;}\r\np.onefive {font-family:Verdana, Arial, Helvetica, sans-serif; font-size:10px; line-height:200%; color:#000000}\r\np.normalbold {font-family:Verdana, Arial, Helvetica, sans-serif; font-size:11px; line-height:150%; color:#000000; margin-top:0; border:0}\r\np.twelvebold {font-family:Verdana, Arial, Helvetica, sans-serif; font-size:12px; line-height:150%; color:#000000; margin-top:0; border:0}\r\np.normal {font-family:Verdana, Arial, Helvetica, sans-serif; font-size:10px; line-height:150%; color:#000000}\r\na:link {color:#000000; text-decoration:none;} \/* unvisited link *\/\r\na:visited {color:#000000; text-decoration:none;} \/* visited link *\/\r\na:hover {color:#000000; text-decoration:none;} \/* mouse over link *\/\r\na:active {color:#000000; text-decoration:none;} \/* selected link *\/\r\n<\/style>\r\n<\/head>\r\n<body>\r\n\r\n<table width=\\"550\\" border=\\"0\\" cellspacing=\\"0\\" cellpadding=\\"0\\" align=\\"left\\">\r\n\r\n<tr>\r\n\r\n<td colspan=\\"3\\" valign=\\"top\\">\r\n\r\n<p class=\\"twelvebold\\">\r\n\r\n\r\n<strong>Video works by Robert Beck, Cheryl Donegan, Ursula Hodel, Nam June Paik, Seth Price, Carolee Schneemann, Trevor Shimizu, and Michael Smith, followed by a conversation with Robert Buck and Cheryl Donegan. <\/strong>\r\n<br >\r\n<br >\r\n<em>\\"Edited at EAI\\": Artist to Artist<\/em> highlights the rich collaborative process and the creative relationships between artists and the artists\/editors with whom they worked, through the lens of EAI's editing facility. Video works by Cheryl Donegan, Ursula Hodel, Nam June Paik, Carolee Schneemann, and Michael Smith—all edited at EAI—will be shown together with works by Robert Beck, Seth Price and Trevor Shimizu, three internationally recognized artists who spent formative years as EAI editors. Featuring works from the mid-1990s to the mid-2000s, <em>Artist to Artist<\/em> is the second in EAI's ongoing \\"Edited at EAI\\" program series. Artists Robert Buck and Cheryl Donegan will be in conversation following the screening. \r\n<br \/>\r\n<br \/>\r\nOrganized in conjunction with EAI's 45th anniversary, the \\"Edited at EAI\\" series highlights a historically significant but less well-known area of EAI's programs: EAI's Editing Facility for artists, one of the first such creative workspaces for video in the United States.\r\n\r\n\r\n<br \/>\r\n<br \/>\r\n<br \/>\r\n\r\n<\/td>\r\n<\/tr>\r\n\r\n<tr>\r\n<td width=\\"150\\" valign=\\"top\\">\r\n<img src= \\"http:\/\/eai.org\/user_files\/images\/public_program\/beck_songpoem_xl.jpg\\" width=\\"300\\" hspace=\\"0\\" vspace=\\"0\\" border=\\"0\\" \/>\r\n<br \/>\r\n<font face=\\"Verdana, Arial, Helvetica, sans-serif\\" size=\\"1\\">Robert Beck, <em>Song Poem (Trip Visits), 2001<\/em><br \/> <\/font>\r\n<\/td>\r\n\r\n<td width=\\"23\\" valign=\\"top\\"> <\/td>\r\n<td width=\\"221\\" valign=\\"top\\">\r\n<font face=\\"Verdana, Arial, Helvetica, sans-serif\\" size=\\"2\\">\r\n<strong>Thursday, June 16, 2016<br \/><br \/>\r\n6:30 pm<br \/>\r\n<br \/>\r\nElectronic Arts Intermix (EAI)<br \/>\r\n535 West 22nd Street, 5th Fl.<br \/>\r\nNew York, NY 10011<\/strong><br \/>\r\n<strong><a href=\\"http:\/\/www.eai.org\\" target=\\"_blank\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">www.eai.org<\/font><\/a><\/strong><br \/>\r\n<br \/>\r\n<strong>$7\/ $5 Students<br\/>Free for Members<br \/>\r\n<br \/>\r\nRSVP: info@eai.org\r\n<\/strong><br \/>\r\n<\/font>\r\n\r\n\r\n<\/td>\r\n<\/tr>\r\n<br \/>\r\n\r\n<\/td>\r\n<\/tr>\r\n<br \/>\r\n<tr>\r\n<td colspan=\\"3\\" valign=\\"top\\">\r\n\r\n\r\n\r\n \r\n <p class=\\"twelvebold\\"><br \/>\r\n \r\n<br \/>\r\n<br \/>\r\n<strong>Program<\/strong>\r\n<br \/><br \/>\r\n<strong>Pinea Silva<\/strong>, Carolee Schneemann, 2012, 9:27 min, color\r\n<br \/>\r\n<strong>Somebody's Baby<\/strong>, Trevor Shimizu, 2011, 4 min, color\r\n<br \/>\r\n<strong>Industrial Synth<\/strong>, Seth Price, 2000-01,16:37 min, color\r\n<br \/>\r\n<strong>Analogue Assemblage<\/strong>, Nam June Paik, 2000, 2:08 min, color\r\n<br \/>\r\n<strong>Godiva<\/strong>, Ursula Hodel, 1997, 4:31 min, color\r\n<br \/>\r\n<strong>Bigmouth Strikes Again<\/strong>, Robert Beck, 1995, 11 min, color\r\n<br \/>\r\n<strong>OYMA (Outstanding Young Men of America)<\/strong>, Michael Smith, 1996, 9:23 min, color\r\n<br \/>\r\n<strong>Rehearsal<\/strong>, Cheryl Donegan, 1994, 14:25 min, color\r\n<br \/>\r\n<strong>Song Poem (Trips Visits)<\/strong>, Robert Beck, 2001, 6 min, color\r\n\r\n<br \/>\r\n<br \/>\r\n<strong>Total Running Time: 77 min<\/strong>\r\n<br \/>\r\n<br \/>\r\n \r\n\r\n\r\n\r\n<p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">___________________________________<\/font><\/font><\/p>\r\n \r\n \r\n\r\n <p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">\r\n\r\n <br \/>\r\n <br \/>\r\n\r\nAcross five decades, an extraordinary group of artists has used EAI's facility to create some of the most significant works in media art's diverse alternative histories. Many more of these artists and works will be featured in subsequent screenings throughout our 45th anniversary year. \r\n\r\n<br \/>\r\n\r\n\r\n<br \/>\r\n\r\n<\/font>\r\n\r\n <\/font><\/font>\r\n\r\n\r\n \r\n <p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">___________________________________<\/font><\/font><\/p>\r\n\r\n <p class=\\"twelvebold\\">\r\n\r\n \r\n <p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\"> \r\n <br \/>\r\n <strong>About EAI<\/strong><br \/>\r\n <br \/> \r\n \r\n \r\nCelebrating our 45th anniversary in 2016, Electronic Arts Intermix (EAI) is a nonprofit arts organization that fosters the creation, exhibition, distribution, and preservation of moving image art. A New York-based international resource for media art and artists, EAI holds a major collection of over 3,500 new and historical media artworks, from groundbreaking early video by pioneering figures of the 1960s to new digital projects by today's emerging artists. EAI works closely with artists, museums, schools and other venues worldwide to preserve and provide access to this significant archive. EAI services also include viewing access, educational initiatives, extensive online resources, technical facilities, and public programs such as artists' talks, screenings, and multi-media performances. EAI's Online Catalogue is a comprehensive resource on the artists and works in the EAI collection, and features expansive materials on media art's histories and current practices: <strong><a href=\\"http:\/\/www.eai.org\\" target=\\"_blank\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">www.eai.org<\/font><\/a><\/strong><\/font><\/font><br \/><br \/>\r\n\r\n\r\n<font size=\\"1\\" face=\\"Verdana, Arial, Helvetica, sans-serif\\">___________________________________<\/font><br \/>\r\n <br \/>\r\n \r\n <p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">\r\n\r\n\r\n\r\nElectronic Arts Intermix<br \/>535 West 22nd Street, 5th Floor<br \/>New York, NY 10011<br \/>t (212) 337-0680<br \/>f (212) 337-0679<br \/>\r\n<strong><a href=\\"mailto:info@eai.org\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">info@eai.org<\/font><\/a><\/strong><\/font><\/p>\r\n\r\n<p style=\\"line-height:150%; color:#000000; text-decoration:none\\"><font face=\\"Verdana, Arial, Helvetica, sans-serif\\" size=\\"2\\">\r\n\r\n<strong><a href=\\"http:\/\/www.facebook.com\/pages\/Electronic-Arts-Intermix-EAI\/69797591849?ref=nf\\" target=\\"_new\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">EAI on Facebook<\/font><\/a><\/strong><br \/>\r\n<strong><a href=\\"http:\/\/twitter.com\/#!\/eai_org\\" target=\\"_new\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">EAI on Twitter<\/font><\/a><\/strong>\r\n<\/font><\/p>\r\n\r\n\r\n<font size=\\"1\\" face=\\"Verdana, Arial, Helvetica, sans-serif\\">___________________________________<\/font><br \/><br \/>\r\n\r\n<p class=\\"onefive\\"><font style=\\"text-decoration:none\\" color=\\"#000000\\">\r\n\r\n<img src=\\"https:\/\/www.eai.org\/user_files\/supporting_documents\/funders_logos_dca_nysca_web.jpg\\" \/><br \/><br \/>\r\n\r\nEAI's Public Programs are supported in part by the New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature, and the New York City Department of Cultural Affairs, in partnership with the City Council. EAI also receives program support from the Andy Warhol Foundation for the Visual Arts.<br \/>\r\n<br \/>\r\n\r\n<\/font><\/p><br \/>\r\n\r\n\r\n\r\n<\/td>\r\n\r\n\r\n<\/tr>\r\n\r\n<\/table>\r\n\r\n\r\n\r\n<\/body>\r\n<\/html>\",
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