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\"long_desc\": \"Produced from source material gathered in Iceland in 1976, <i>Flux<\/i> uses the flow of water and video noise as the basis for a study of multi-directional movement within switched frames or slow-scanned noise fields. Steina works with recorded images and video tools — a field flip\/flop switcher and a scan processor — to arrive at a synthesis of nature and electronics.\",
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\"slug\": \"binary-lives\",
\"title\": \"Binary Lives\",
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\"long_desc\": \"This illuminating documentary is a comprehensive view of the life and work of Woody and Steina Vasulka, pioneers of electronic art. From the late 1960s in New York, where they founded The Kitchen, to their present home in New Mexico, the Vasulkas trace their involvement with video and their relationship to the technologies they deploy. In fascinating insights, the Vasulkas reveal the sources and philosophical underpinnings that inform their work. For Woody, this focuses on an attempt to expose the inner logic and architecture of the electronic machine, while Steina focuses on images of the world and how they can be manipulated. Shot over a two-year period, this program includes excerpts from the Vasulkas' video works, as well as interviews.\",
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\"short_bio\": \"Steina explores transformations of image, space and sound through a dynamic confluence of digital technologies, mechanical devices and natural landscape. After producing pioneering work with <a href=\\"artistTitles.htm?id=266\\"> <b>Woody Vasulka<\/a><\/b> in the 1970s, Steina focused on the electronic interrelation and manipulation of sound and image. Fusing digital and \\"real\\" imagery to create layered spatial and temporal systems, she often uses pre-programmed devices to explore perception and vision.\",
\"long_bio\": \"Since the mid-1970s, Steina has explored intricate transformations of vision, space and sound, through a dynamic confluence of digital technologies, mechanical devices and natural landscape. After producing a pioneering body of work with <a href=\\"artistTitles.htm?id=266\\"> <b>Woody Vasulka<\/a><\/b> in the early 1970s, Steina has pursued several distinct inquiries in her more recent videotapes and installations: The electronic interrelation of sound and image; the use of mechanized, pre-programmed image devices for phenomenological explorations of perception, space, and modes of seeing; and the textural fusion of digital and \\"real\\" imagery and sound to create layered spatial and temporal systems. In many of her works, the natural landscape of the American Southwest is integral visual material. \r\n\r\nIn 1975, Steina began <i>Machine Vision<\/i>, a series of tapes and installations for which she devised mechanical systems with programmed functions — optical, motorized or rotating devices that include spherical mirrors, prisms, and cameras with lens mobility. Used with her signature electronic manipulation and landscape imagery, these devices resulted in exhilarating redefinitions of physical and representational space. In richly textured works such as <i>Voice Windows<\/i> (1986) and <i>Lilith<\/i> (1987), Steina manipulates digital and camera-generated images, \\"real\\" and altered sound with haunting effect, constructing dense layers and multiple perspectives that fuse the natural world and technology in space and time. \r\n\r\nSteina's project of manipulating and fusing the \\"real\\" and the electronic, sound and image, has in recent years taken the form of performances in which she returns to her roots as a musician. Transposing the strategies of her early <i>Violin Power<\/i> to a theatrical scale, Steina performs on a violin that digitally generates and controls a progression of projected images. \r\n\r\nSteina Vasulka was born in Reykjavik, Iceland in 1940. She studied at the Music Conservatory in Prague, 1959-63, and emigrated to the United States in 1965. With Woody Vasulka, she has won numerous awards; their collaborative works have been widely exhibited internationally (see Steina and Woody Vasulka). Exhibitions of her individual works have been seen at festivals and institutions including Centre Georges Pompidou, Paris; The Kitchen, New York; Museum of Art, Carnegie Institute, Pittsburgh; The Jonson Gallery, University of New Mexico Art Museum, Albuquerque; and the Whitney Museum of American Art Biennial, among many others.\r\n \r\nSteina lives in Santa Fe, New Mexico.\",
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\"see_also\": \"<a href=\/eai\/artist.jsp?artistID=299><b>Steina and Woody Vasulka<\/b><\/a>\r\n<br><br>\r\n<a href=\/eai\/artist.jsp?artistID=266><b>Woody Vasulka<\/b><\/a>\r\n<br><br>\r\n<a href=\\"http:\/\/www.eai.org\/eai\/artist.jsp?artistID=296\\"><b>WGBH<\/b><\/a>\",
\"url\": \"<a href=\\"http:\/\/www.vasulka.org\\">\r\n<b>http:\/\/www.vasulka.org<\/a><\/b><br><br><a href=\\"http:\/\/www.artscilab.org\/VasulkaArchive.html\\">\r\n<b>http:\/\/www.artscilab.org\/VasulkaArchive.html<\/a><\/b><br><br>\r\n<a href=\\"http:\/\/www.fondation-langlois.org\/e\/collection\/vasulka\/archives\/index.html\\"><b> http:\/\/www.fondation-langlois.org\/e\/collection\/vasulka\/archives\/index.html<\/b><\/a>\",
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Press Release
Press release for Steina videos at EAI's Video Project Space at X Initiative August 2009.
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