-
Titles by Seoungho Cho +
-
Buoy
-
Titles by Seoungho Cho +
-
Buoy
Other Media
![/user_files/images/supporting_document/12_06_timessquare_thumbweb.jpg](/user_files/images/supporting_document/12_06_timessquare_thumbweb.jpg "{
\"title_id\": 14540,
\"slug\": \"buoy\",
\"title\": \"Buoy\",
\"subtitle\": null,
\"title_translation\": null,
\"alternate_title\": null,
\"completion_date\": \"2008\",
\"media_type_id\": 9733,
\"running_time\": \"7:11 min\",
\"color\": \"color\",
\"sound\": \"sound\",
\"by_credit\": null,
\"price_scheme_id\": 13578,
\"image_url\": null,
\"quicktime_url\": null,
\"keywords\": null,
\"short_desc\": \"The golden, barren landscape of Death Valley, recorded by Cho from a moving car, provides the luminous and mysterious texture of <em>Buoy<\/em>. Cho reflects on the polar extremes of this desert, once the floor of a vast sea and now traversed by tourists. In contrast to the horizontal landscape, which floats ceaselessly past Cho's camera, vertical \\"strata\\" pattern the imagery, creating an axis between natural landscape and Cho's composition.\",
\"long_desc\": \"The golden, barren landscape of Death Valley, California, recorded by Cho from a moving car, provides the luminous and mysterious texture of <em>Buoy<\/em>. As the title suggests, this work reflects on the polar extremes of this desert, which was once the floor of a vast sea, now traversed by sight-seeing tourists. In contrast to the horizontal landscape, which floats ceaselessly past Cho's camera, vertical \\"strata\\" pattern the imagery, creating an axis between natural landscape and Cho's composition. Cho accumulated his Death Valley footage over several years; the vertical patterning further represents the collapse of this footage into what appears to be a continuous drive through the desert.\",
\"unique_id\": \"2482\",
\"extent\": null,
\"distribution_terms_and_usage\": null,
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"2008-12-17T16:48:00-05:00\",
\"created_by_eai_user_id\": 13324,
\"date_modified\": \"2017-01-06T14:49:22-05:00\",
\"modified_by_eai_user_id\": 13140,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 3370,
\"running_time_seconds\": 431,
\"language\": null,
\"featured\": 0,
\"title_video_high_rez_full\": {
\"user_file_id\": 11904,
\"object_id\": 14540,
\"xref_type\": \"TITLE_VIDEO_HIREZ_FULL\",
\"filename\": \"cho_buoy_vod.qtl\",
\"filepath\": \"\/user_files\/videos\/title\/hifull\/\",
\"content_type\": null,
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2011-07-27T18:05:00-04:00\",
\"modified_date\": \"2011-07-27T18:05:00-04:00\"
},
\"contained_titles\": [],
\"see_also_titles\": [],
\"containing_titles\": [],
\"see_also_artists\": [],
\"artists\": [
{
\"artist_id\": 360,
\"slug\": \"seoungho-cho\",
\"first_name\": \"Seoungho\",
\"last_name\": \"Cho\",
\"alternate_name\": null,
\"link_title\": \"Seoungho Cho\",
\"artist_group\": 0,
\"group_contact\": \"Seoungho Cho\",
\"sex\": \"Male\",
\"cultural_background\": \"Korean\",
\"birth_year\": \"\",
\"birth_place\": \"\",
\"death_year\": \"\",
\"ss_num_or_tax_id\": \"078-86-5407\",
\"image_url\": \"cho.orange.jpg\",
\"quicktime_url\": \"cho.6797_ref.mov\",
\"keywords\": \"\",
\"published\": 1,
\"date_created\": \"2001-10-12T16:43:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2026-02-25T17:07:08-05:00\",
\"modified_by_eai_user_id\": 16227,
\"collective_name\": null,
\"artist_ex_id\": 100,
\"artist_address_id\": 100,
\"featured\": 0,
\"_joinData\": {
\"id\": 2715,
\"artist_id\": 360,
\"title_id\": 14540
},
\"with_and_about_titles\": [],
\"artist_ex\": {
\"group_members\": null,
\"short_bio\": \"The video works of Korean artist Seoungho Cho are distinguished by a lyrical confluence of complex image processing and sound collage. His works are formalist, almost painterly explorations of subjectivity and the subconscious. These poetic meditations often focus on isolation and estrangement in relation to culture and landscape.\",
\"long_bio\": \"Lyrical and visually striking, the video works of Korean artist Seoungho Cho are distinguished by a unique confluence of complex image processing and sound collage. Resonating with a highly metaphorical sensibility, Cho's single-channel tapes and installations are formalist, almost painterly explorations of subjectivity and the subconscious. The natural and urban landscapes that Cho depicts often move with a continuous fluidity, shifting from dreamlike abstractions of light to fleeting reflections of objects and people. Figures and their environments are mirrored and diffused through one another, silhouetted with a haunting anonymity that is echoed in the poetic texts and soundscapes that accompany each piece. These often tense meditations focus on the nature and cost of isolation and loneliness while integrating into a culture, landscape and language other than one's own. \r\n\r\nSeoungho Cho was born in 1959 in Pusan, South Korea. He received his B.A. and M.A. in Graphic Arts from Hong-Ik University, Korea, and an M.A. in video art from New York University. In 1998 he received a Rockefeller Foundation Media Arts Fellowship and in 2003 he received a Jerome Foundation grant. He received the Grand Prize at the 27th Annual Black Maria Film and Video Festival as well as the International Award for Video Art from ZKM.\r\n\r\nCho's one-person exhibitions have included The Museum of Modern Art, New York; The Philip Feldman Gallery, Oregon; the Contemporary Art Museum, Honolulu, Hawaii; the Pusan Metropolitan Museum of Art, Korea; Montevideo, Amsterdam; and the Cinematheque Ontario, Toronto. His work has been shown in numerous international festivals and exhibitions, including the Philadelphia Museum of Art, Philadelphia; Museum of Contemporary Art, Chicago; the 58th Edinburgh International Film Festival; Pandaemonium '98, Lux Centre, London; Centro d'Art Santa Monica, Barcelona, Spain; the National Gallery of Art, Washington, DC; Stedelijk Museum, Amsterdam; Samsung Museujm of Modern Art, Korea; the Festival Nouveau Cinema, Nouveaux Medias, Montreal, Canada; the Valencia Biennial, Spain; the Kwangju Biennial, Korea; the Palm Beach Institute of Contemporary Art, Florida; the Robert Flaherty Film Seminars; Artists Space, New York; the International Film Festival Rotterdam; and the New York Video Festival, Lincoln Center, New York. In 2012, Cho's <em>Buoy<\/em> (2008) was presented as a massive multi-channel installation in Times Square for <em>Times Square Moment: A Digital Gallery<\/em>, a collaboration between EAI and the Times Square Alliance. Cho's tapes have been broadcast nationally and internationally. He lives in New York.\",
\"bibliography\": \"Lee, Dong Suk. \\"Controlling Sense and the Just Consciousness.\\" <u>Wolganmisool<\/u> Aug. 2001<br><br>\r\nMarks, Laura U. <u>The Skin of the Film: Intercultural Cinema, Embodiment and the Senses.<\/u> Durham, NC: Duke University Press, 1999. <br><br>\r\nRush, Michael. <u>New Media in Late 20th Century Art.<\/u> London: Thames and Hudson, 1999: 111-112. <br><br>\r\nThomson, John. \\"All That is Solid Melts Into Air.\\" <u>Art in Culture<\/u> Jan. 2002<br><br>\",
\"documents\": null,
\"see_also\": null,
\"url\": null,
\"notes\": null,
\"royalty_notes\": null,
\"public_distribution_notes\": null,
\"artist_ex_id\": 100,
\"digitization_rights_and_restrictions\": null
}
}
],
\"price_scheme\": {
\"price_scheme_id\": 13578,
\"price_scheme_name\": \"000 - 029 min HD Educational\"
},
\"media_type\": {
\"media_type_id\": 9733,
\"media_type_desc\": \"HD video\"
},
\"title_image_extra_large\": {
\"user_file_id\": 9228,
\"object_id\": 14540,
\"xref_type\": \"TITLE_IMG_XL\",
\"filename\": \"cho_buoy_xl.jpg\",
\"filepath\": \"\/user_files\/images\/title\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2008-12-30T17:38:00-05:00\",
\"modified_date\": \"2008-12-30T17:38:00-05:00\"
},
\"title_ex\": {
\"preservation_location\": \"EAI\",
\"preservation_id\": null,
\"preservation_restoration_notes\": null,
\"preservation_restoration_report\": null,
\"preservation_restoration_history_and_notes\": null,
\"preservation_restoration_date\": null,
\"original_production_format\": \"HDV\",
\"original_location\": \"EAI\",
\"accession_format\": \".mov file on DVD\",
\"misc_notes\": null,
\"other_titles\": null,
\"dub_notes\": null,
\"credits\": \"A Video Tape by Seoungho Cho. Soundtrack: Stephen Vitiello. Video Camera Assistants: Ki Yoon Park, Young Hwan Park, Death Valley, CA\/ 2005, 2007. Producer: Namsik Kim. Studio 90125\/2008 Fall\/New York.\",
\"royalty_notes\": null,
\"transcript\": null,
\"title_purpose_id\": 57,
\"delivered_by\": \"Seoungho Cho\",
\"date_delivered\": \"2008-12-16T00:00:00-05:00\",
\"housing_information\": \"none\",
\"cassette_information\": \"none\",
\"digital_storage_notes\": null,
\"inspection_report\": null,
\"internal_supporting_notes\": null,
\"artist_statement\": \"\\"Once, this area (Death Valley, California) was below sea level. I have seen the strata or sea level marks, and I felt as though I were a buoy, maintaining my balance upon viewing these virtual horizons.\r\n\r\nWhile I was videotaping these strata from a moving car, I had to keep myself and my video camera stable to maintain the horizontal balance. This made me feel almost as if I were a buoy with video camera which is floating through the extremely hot air, which once was the bottom of the sea.\r\n\r\nWhile vertically, time accumulated as strata, horizontally, space condensed in layers on their own axis which I have videotaped several times through several years. Through the hot desert air, I visually conjured the floating \\"drilled cores\\" which not only represent the depth of the strata but also follow the movement of the video camera through the perpendicular axis.\\" (Seoungho Cho, 2008) (RC, 3\/10\/09)\",
\"dubbing_instructions_and_technical_notes\": \"From Cho's HDV mov file on data DVD.\r\nLetterbox for all analog requests.\",
\"dubmaster_physical_condition\": null,
\"dubmaster_notes_on_cassette\": null,
\"dubmaster_technical_condition\": null,
\"sound_notes\": null,
\"source_and_date_for_preservation_master_information\": null,
\"digital_master_carrier_id\": \"01-EAI-DIGITAL-MASTERS\",
\"condition_report\": null,
\"location_of_duplicates_and_other_preservation_masters\": null,
\"retired_numbers\": null,
\"images_available_through_eai\": 1,
\"public_distribution_terms_and_usage\": \"For screening, exhibition, and museum acquisition inquiries, please contact the EAI office.\r\n<br><br>\r\nThis work is HD video and must be shown with a 16:9, HD display. <br>\r\n<a href= \\"http:\/\/eai.org\/webPage.htm?id=79\\">High-Definition Video Guide<\/a>\",
\"image_rights_and_restrictions_notes\": null,
\"title_ex_id\": 3370,
\"aspect_ratio_id\": 61,
\"dubmaster_creation_date\": null,
\"digitization_rights_and_restrictions\": null,
\"file_names\": \"cho_BUOY MASTER.17\",
\"file_size\": null,
\"digital_storage_creation_date\": null,
\"digital_master_carrier_location_lookup_id\": 216,
\"operator_lookup_id\": 253,
\"card_tbc_lookup_id\": 237,
\"hardware_lookup_id\": 238,
\"operating_system_lookup_id\": 239,
\"data_rate\": null,
\"software_lookup_id\": 240,
\"video_compression_codec_lookup_id\": 248,
\"audio_compression_sampling_rate_lookup_id\": 250,
\"frame_rate_lookup_id\": null,
\"video_low_rez_full_url\": \"285175316\",
\"video_low_rez_excerpt_url\": \"286987743\",
\"video_low_rez_full_caption\": null,
\"video_low_rez_excerpt_caption\": null,
\"video_intro_url\": null,
\"video_intro_caption\": null,
\"video_intro_link_text\": null,
\"accession_notes\": null,
\"delivered_to\": null,
\"additional_digital_master_carrier\": null,
\"digital_version_master\": 1,
\"digital_version_dvd\": 0,
\"video_education_url\": \"285175316\",
\"video_education_caption\": null,
\"digital_master_file_type_id\": 75
},
\"supporting_documents\": [
{
\"supporting_document_id\": 624,
\"title\": \"EAI IN TIMES SQUARE: SEOUNGHO CHO'S \\"BUOY\\"\",
\"ed_site_only\": false,
\"published\": 1,
\"supporting_document_category_id\": 21,
\"supporting_document_navigation_category_lookup_id\": 31,
\"author\": null,
\"source_recieved_from\": null,
\"document_title\": null,
\"date_of_item\": null,
\"long_desc\": null,
\"short_desc\": null,
\"video_url\": null,
\"audio_url\": null,
\"html\": null,
\"internal_notes\": null,
\"digital_location\": null,
\"physical_location\": null,
\"date_digitized\": null,
\"file_type\": null,
\"rights_and_restrictions\": null,
\"courtesy_permission\": null,
\"date_created\": \"2012-06-06T15:35:00-04:00\",
\"created_by_eai_user_id\": 13714,
\"date_modified\": \"2013-08-01T15:09:44-04:00\",
\"modified_by_eai_user_id\": 13998,
\"display_date\": null,
\"supporting_document_url\": \"http:\/\/www.eai.org\/program_photos\/12_06_timessquare\/12_06_timessquare.html\",
\"template\": \"supporting_doc_default\",
\"sequence_on_web_pages\": 0,
\"_joinData\": {
\"id\": 833,
\"title_id\": 14540,
\"supporting_document_id\": 624
},
\"supporting_document_image_small\": {
\"user_file_id\": 12364,
\"object_id\": 624,
\"xref_type\": \"SUP_DOC_IMG_S\",
\"filename\": \"12_06_timessquare_thumbweb.jpg\",
\"filepath\": \"\/user_files\/images\/supporting_document\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2012-06-06T15:36:00-04:00\",
\"modified_date\": \"2012-06-06T15:36:00-04:00\"
},
\"supporting_document_navigation_category\": {
\"lookup_id\": 31,
\"lookup_type\": 210,
\"name\": \"Other Media\",
\"date_created\": \"2013-09-12T13:51:30-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2013-09-12T13:51:30-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": \"50\"
},
\"supporting_document_category\": {
\"lookup_id\": 21,
\"lookup_type\": 10,
\"name\": \"Event Documentation: Image\",
\"date_created\": \"2009-04-16T15:08:00-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2009-04-16T15:08:00-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": null
}
}
]
}")
©1997 - 2026, Electronic Arts Intermix