Electronic
Arts
Intermix
Electronic Arts Intermix
About
Mission & Activities
History
Contact
Board & Funders
Opportunities
About eai.org
Artists
Artist Catalogue
Title Search
New Artists
Themes, Special Collections & Series
Distribution
Overview
Ordering Information
Policies
Image & Clip Requests
Preservation
Introduction
Technical Facility
High-Definition Video Guide
Education
Educational Streaming Service
Events
Current & Upcoming Events
Past Events
Projects
Open Circuits Revisited
The New Television: Video After Television
A Kinetic History
Published Items
Resource Guide
Search
Attention, Focus, and Motion
Mary Lucier
1975, 26 min, b&w, sound
More Info
Description
Ordering & Fees
Images
Documents
Titles by Mary Lucier
+
Amphibian
Arabesque
Asylum (A Romance)
Attention, Focus, and Motion
Bird's Eye
In the blink of an eye...(amphibian dreams)..."If I could fly I would fly"
MASS: Between a rock and a hard place
Noah's Raven
Ohio to Giverny: Memory of Light
Portrait: John Lado Keni
Summer, or Grief
This Old Man/My Name is Ne-Ne
Two Screen Matrix: Air Writing (1974)/Fire Writing (1975)
Wintergarden
Titles with or about Mary Lucier
+
Mary Lucier: Video Installations (Wilderness)
Description
Ordering & Fees
Images
Documents
Titles by Mary Lucier
+
Amphibian
Arabesque
Asylum (A Romance)
Attention, Focus, and Motion
Bird's Eye
In the blink of an eye...(amphibian dreams)..."If I could fly I would fly"
MASS: Between a rock and a hard place
Noah's Raven
Ohio to Giverny: Memory of Light
Portrait: John Lado Keni
Summer, or Grief
This Old Man/My Name is Ne-Ne
Two Screen Matrix: Air Writing (1974)/Fire Writing (1975)
Wintergarden
Titles with or about Mary Lucier
+
Mary Lucier: Video Installations (Wilderness)
Attention, Focus, and Motion
Mary Lucier
1975, 26 min, b&w, sound
Images
"Edited at EAI": 1972-77
Event Documentation: Image
"Edited at EAI": 1972-77, April 27, 2016
![/user_files/supporting_documents/IMG_4647_s.jpg](/user_files/supporting_documents/IMG_4647_s.jpg "{
\"title_id\": 2913,
\"slug\": \"attention-focus-and-motion\",
\"title\": \"Attention, Focus, and Motion\",
\"subtitle\": null,
\"title_translation\": null,
\"alternate_title\": null,
\"completion_date\": \"1975\",
\"media_type_id\": 207,
\"running_time\": \"26 min\",
\"color\": \"b&w\",
\"sound\": \"sound\",
\"by_credit\": null,
\"price_scheme_id\": 4424,
\"image_url\": \"lucier.attn.jpg\",
\"quicktime_url\": null,
\"keywords\": null,
\"short_desc\": null,
\"long_desc\": \"<i>Attention, Focus, and Motion<\/i> is one of Lucier's earliest black and white experiments with video technology and natural phenomena. Introducing themes that resonate throughout her work, Lucier investigates the intersection of landscape, motion and vision.\",
\"unique_id\": \"1557\",
\"extent\": \"1986\",
\"distribution_terms_and_usage\": null,
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"1998-10-27T15:17:00-05:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2017-01-06T14:49:16-05:00\",
\"modified_by_eai_user_id\": 13985,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 1699,
\"running_time_seconds\": 1560,
\"language\": null,
\"featured\": 0,
\"title_video_high_rez_full\": null,
\"contained_titles\": [],
\"see_also_titles\": [],
\"containing_titles\": [
{
\"title_id\": 6333,
\"slug\": \"selected-works-1975-2000-program-1\",
\"title\": \"Selected Works 1975-2000: Program 1\",
\"subtitle\": \"THE 1970s: PHENOMENA\",
\"title_translation\": null,
\"alternate_title\": \"\",
\"completion_date\": \"2001\",
\"media_type_id\": null,
\"running_time\": \"56:30 min\",
\"color\": \"b&w\",
\"sound\": \"sound\",
\"by_credit\": \"\",
\"price_scheme_id\": 6447,
\"image_url\": \"lucier.program1.jpg\",
\"quicktime_url\": null,
\"keywords\": \"\",
\"short_desc\": \"Lucier's earliest black and white experiments with video technology and \r\nnatural phenomena introduced themes that weave throughout her work. <i>Attention, Focus, and Motion<\/i> considers landscape, motion and vision. In the layered performances of <i>Two Screen Matrix: Air Writing\/Fire Writing<\/i>, Lucier \\"writes\\" with her camera and then with lasers to create calligraphic text. In the evocative <i>Bird's Eye<\/i>, Lucier experiments with light and the material properties of video, aiming a burned vidicon tube directly at a laser.\",
\"long_desc\": \"EAI is pleased to present Mary Lucier's <i>Selected Works 1975-2000<\/i>, three newly restored and compiled programs that bring together eleven of the artists' major video works. Organized chronologically, these programs trace the essential themes that distinguish Lucier's work over three decades, from her earliest experiments with video technology to her lyrical visual narratives and explorations of light and landscape. These programs provide an invaluable overview to the development of Lucier's artistic practice. \r\n<br><br>\r\n<i>Program 1, The 1970s: Phenomena<\/i> features Lucier's earliest black and white experiments with video technology and natural phenomena, which introduced themes that weave throughout her work. <i>Attention, Focus, and Motion<\/i> considers landscape, motion and vision. In the layered performances of <i>Two Screen Matrix: Air Writing\/Fire Writing<\/i>, Lucier \\"writes\\" with her camera and then with lasers to create calligraphic text. In the evocative <i>Bird's Eye<\/i>, Lucier experiments with light and the material properties of video, aiming a burned vidicon tube directly at a laser.\",
\"unique_id\": \"1986\",
\"extent\": null,
\"distribution_terms_and_usage\": null,
\"published\": 0,
\"program_category_id\": 0,
\"date_created\": \"2002-03-12T15:42:00-05:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2020-10-16T15:52:49-04:00\",
\"modified_by_eai_user_id\": 14405,
\"for_distribution\": 0,
\"contains_multiple_titles\": 1,
\"title_ex_id\": 2422,
\"running_time_seconds\": 3390,
\"language\": \"\",
\"featured\": 0,
\"_joinData\": {
\"id\": 563,
\"title_id\": 6333,
\"contained_title_id\": 2913,
\"sequence\": 1
}
}
],
\"see_also_artists\": [],
\"artists\": [
{
\"artist_id\": 417,
\"slug\": \"mary-lucier\",
\"first_name\": \"Mary\",
\"last_name\": \"Lucier\",
\"alternate_name\": null,
\"link_title\": \"Mary Lucier\",
\"artist_group\": 0,
\"group_contact\": \"Mary Lucier\",
\"sex\": \"Female\",
\"cultural_background\": \"\",
\"birth_year\": \"\",
\"birth_place\": \"\",
\"death_year\": \"\",
\"ss_num_or_tax_id\": \"299-36-0471\",
\"image_url\": \"lucier.giverny.gif\",
\"quicktime_url\": null,
\"keywords\": \"\",
\"published\": 1,
\"date_created\": \"2001-10-12T16:43:00-04:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2026-05-12T14:00:59-04:00\",
\"modified_by_eai_user_id\": 16227,
\"collective_name\": \"\",
\"artist_ex_id\": 153,
\"artist_address_id\": 153,
\"featured\": 0,
\"_joinData\": {
\"id\": 690,
\"artist_id\": 417,
\"title_id\": 2913
},
\"with_and_about_titles\": [
{
\"title_id\": 3157,
\"slug\": \"mary-lucier-video-installations-wilderness\",
\"title\": \"Mary Lucier: Video Installations (Wilderness)\",
\"subtitle\": null,
\"title_translation\": null,
\"alternate_title\": \"Art\/New York #33\",
\"completion_date\": \"1990\",
\"media_type_id\": 207,
\"running_time\": \"27:20 min\",
\"color\": \"color\",
\"sound\": \"sound\",
\"by_credit\": \"Paul Tschinkel\",
\"price_scheme_id\": 4424,
\"image_url\": null,
\"quicktime_url\": null,
\"keywords\": null,
\"short_desc\": null,
\"long_desc\": null,
\"unique_id\": \"1528\",
\"extent\": null,
\"distribution_terms_and_usage\": null,
\"published\": 1,
\"program_category_id\": 0,
\"date_created\": \"1998-12-07T13:36:00-05:00\",
\"created_by_eai_user_id\": 6,
\"date_modified\": \"2017-01-06T14:49:16-05:00\",
\"modified_by_eai_user_id\": 13140,
\"for_distribution\": 1,
\"contains_multiple_titles\": 0,
\"title_ex_id\": 1812,
\"running_time_seconds\": 1640,
\"language\": null,
\"featured\": 0,
\"_joinData\": {
\"id\": 48,
\"title_id\": 3157,
\"artist_id\": 417
}
}
],
\"artist_ex\": {
\"group_members\": \"\",
\"short_bio\": \"Exploring light and landscape as agents of visual perception and memory, Mary Lucier examines 19th-century art historical and literary traditions through the lens of technology. In elegant \\"pictorial-narrative\\" works, she investigates the American pastoral myth in \\"an ironic dialogue between past and present, mundane and poetic, real and ideal.\\" Lucier's metaphoric use of light evokes transcendence and the sublime.\",
\"long_bio\": \"In her rich exploration of light and landscape as agents of visual perception and memory, both personal and mythic, Mary Lucier reexamines 19th-century art historical and literary traditions through the lens of contemporary technology. Lucier is well known for her contributions to the form of multi-monitor, multi-channel video installation. In her elegant \\"pictorial-narrative\\" works, in which video images are set within configurations that she describes as \\"at once cinematic, sculptural, and theatrical,\\" light and landscape are the essential modes of representation and metaphor. \r\n\r\nReinvestigating the American pastoral myth in what she terms \\"an ironic dialogue between past and present, mundane and poetic, real and ideal,\\" Lucier questions collective memory and identity through an art historical vocabulary. Echoing paradigmatic motifs of 19th-century painting traditions, her metaphoric use of light to signify transcendence and her allusions to the sublime evoke Romantic and Modernist ideals. <i>Ohio at Giverny<\/i> (1983) is a poetic homage to Monet's Impressionism; <i>Wilderness<\/i> (1986) refers to the Luminists and the Hudson River School. In Lucier's works, nature is transformed by culture and technology; luminosity is synonymous with lyricism. \r\n\r\nLucier began working in video in the 1970s, after first exploring sculpture, performance and photography. Early works, such as <i>Dawn Burn<\/i> (1975) and <i>Bird's Eye<\/i> (1978), are empirical records of the optical effects of light on the camera's eye. Aiming a laser directly at the camera or pointing a lens at the sun, she burned the vidicon tube in real time, inscribing it with calligraphic abstractions of light. In addition to installations, she has also produced video dance works with choreographer Elizabeth Streb, exploring relationships of the human figure, sculptural movement, and landscape.\r\n\r\nLucier was born in 1944. She received a B.A. from Brandeis University. Among her many awards are a Guggenheim Fellowship and an American Film Institute Independent Filmmaker Grant, as well as grants from the National Endowment for the Arts and the New York State Council on the Arts. She has been artist-in-residence at the Capp Street Project, San Francisco, and the Television Laboratory at WNET\/Thirteen, New York; and has taught at New York University, the San Francisco Art Institute, the Cleveland Institute of Art, Minnesota College of Art and Design, and the School of Visual Arts, New York. \r\n\r\nLucier has had solo exhibitions at The Carnegie Museum of Art, Pittsburgh; Wadsworth Atheneum, Hartford; Capp Street Project, San Francisco; Museum of Contemporary Art, Los Angeles; Dallas Museum of Art; Madison Art Center, Wisconsin; Greenburg-Wilson Gallery, New York; San Francisco Museum of Art; Museum of Modern Art, New York and Lennon, Weinberg, New York. Her work has also been exhibited in group shows at festivals and institutions including the American Film Institute National Video Festival, Los Angeles; Whitney Museum of American Art Biennial Exhibition, New York; Stedelijk Museum, Amsterdam; The Museum of Modern Art, New York; Artspace, Sydney; Walker Art Center, Minneapolis; and the San Francisco Museum of Modern Art. Lucier was selected as \\"One of the ten artists to watch in the '90s\\" by <i>ARTnews<\/i> magazine. In 2007 she was awarded the Skowhegan Medal for Video.\r\n\r\nLucier lives and works in New York.\",
\"bibliography\": \"Barlow, Melinda, ed. <u>Art and Performance: Mary Lucier<\/u>. Baltimore and London: Johns Hopkins University Press, 2000.\r\n<br><br>\r\nBoyle, Deirdre. \\"A Certain Kind of Grace: Rediscovering Mary Lucier's Video Art.\\" Catalogue essay, <u>Mary Lucier: Selected Works, 1975-2000<\/u>, Emerson Gallery, Hamilton College, 2002.\r\n<br><br>\r\nHagen, Charles. \\"Mary Lucier: In the Light of Memory.\\" Catalogue essay, <u>Mary Lucier, New Video Installations: Forge, Migration, Nesting<\/u>, Colgate University, 2001.\r\n<br><br>\r\nIles, Chrissie and Zummer, Thomas. <u>Into the Light: The Projected Image in American Art 1964-1977<\/u>. New York: Whitney Museum of American Art and Harry N. Abrams, Inc., 2001.\r\n<br><br>\r\nRush, Michael. <u>New Media in Late 20th Century Art<\/u>, London: Thames & Hudson Ltd., 2000.\",
\"documents\": null,
\"see_also\": null,
\"url\": \"<b><a href=\\"http:\/\/www.ndmoa.com\/temp\/index.html\\" target=\\"_new\\">http:\/\/www.ndmoa.com\/temp\/index.html<\/a><\/b><br>\r\n<b><a href=\\"http:\/\/www.channel.creative-capital.org\/project_241.html\\" target=\\"_new\\">http:\/\/www.channel.creative-capital.org\/project_241.html<\/a><\/b>\r\n<b><a href=\\"http:\/\/www.flickr.com\/photos\/marlucart\/\\" target=\\"_new\\">http:\/\/www.flickr.com\/photos\/marlucart\/<\/a><\/b>\",
\"notes\": \"Distro activity for ML is on pause \",
\"royalty_notes\": null,
\"public_distribution_notes\": \"\",
\"artist_ex_id\": 153,
\"digitization_rights_and_restrictions\": \"Works should be digitized from Beta and digiBeta masters. Artist is working to replace and remove 3\/4\\" masters from circulation, as per correspondence with John Tomson 9\/6\/08 ST\"
}
}
],
\"price_scheme\": {
\"price_scheme_id\": 4424,
\"price_scheme_name\": \"000 - 029 min Standard\"
},
\"media_type\": {
\"media_type_id\": 207,
\"media_type_desc\": \"Video\"
},
\"title_image_extra_large\": {
\"user_file_id\": 2351,
\"object_id\": 2913,
\"xref_type\": \"TITLE_IMG_XL\",
\"filename\": \"_xl\/lucier_attention_xl.jpg\",
\"filepath\": \"\/user_files\/images\/title\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": null,
\"modified_date\": null
},
\"title_ex\": {
\"preservation_location\": \"Mary Lucier\",
\"preservation_id\": null,
\"preservation_restoration_notes\": \"Cleaned and transferred at VidiPax Oct 1998, job #1348. This version then bumped to digital beta by Mary Lucier for further tweaking. Additional Digital Beta at Preferred Media #1525533 PM also has 1\/2\\" OR in box R3\",
\"preservation_restoration_report\": \"General condition report is average - good. Edge damage low. Playback levels good.\",
\"preservation_restoration_history_and_notes\": \"Cleaned and transferred at VidiPax Oct 1998, job #1348. This version then bumped to digital beta by Mary Lucier for further tweaking. Additional Digital Beta at Preferred Media #1525533 PM also has 1\/2\\" OR in box R3\n\r\n\rGeneral condition report is average - good. Edge damage low. Playback levels good.\n\r\n\r10\/10\/1998\",
\"preservation_restoration_date\": \"1998-10-10T00:00:00-04:00\",
\"original_production_format\": \"1\/2\\"\",
\"original_location\": null,
\"accession_format\": null,
\"misc_notes\": \"also on \\"Selected Works Vol.1\\"\",
\"other_titles\": null,
\"dub_notes\": null,
\"credits\": null,
\"royalty_notes\": null,
\"transcript\": null,
\"title_purpose_id\": null,
\"delivered_by\": null,
\"date_delivered\": null,
\"housing_information\": null,
\"cassette_information\": null,
\"digital_storage_notes\": null,
\"inspection_report\": null,
\"internal_supporting_notes\": null,
\"artist_statement\": null,
\"dubbing_instructions_and_technical_notes\": \"also on \\"Selected Works Vol.1\\"\",
\"dubmaster_physical_condition\": null,
\"dubmaster_notes_on_cassette\": null,
\"dubmaster_technical_condition\": null,
\"sound_notes\": null,
\"source_and_date_for_preservation_master_information\": null,
\"digital_master_carrier_id\": \"21-Capture\",
\"condition_report\": null,
\"location_of_duplicates_and_other_preservation_masters\": null,
\"retired_numbers\": null,
\"images_available_through_eai\": 1,
\"public_distribution_terms_and_usage\": null,
\"image_rights_and_restrictions_notes\": null,
\"title_ex_id\": 1699,
\"aspect_ratio_id\": 71,
\"dubmaster_creation_date\": null,
\"digitization_rights_and_restrictions\": null,
\"file_names\": null,
\"file_size\": null,
\"digital_storage_creation_date\": null,
\"digital_master_carrier_location_lookup_id\": null,
\"operator_lookup_id\": null,
\"card_tbc_lookup_id\": null,
\"hardware_lookup_id\": null,
\"operating_system_lookup_id\": null,
\"data_rate\": null,
\"software_lookup_id\": null,
\"video_compression_codec_lookup_id\": null,
\"audio_compression_sampling_rate_lookup_id\": null,
\"frame_rate_lookup_id\": null,
\"video_low_rez_full_url\": null,
\"video_low_rez_excerpt_url\": null,
\"video_low_rez_full_caption\": null,
\"video_low_rez_excerpt_caption\": null,
\"video_intro_url\": null,
\"video_intro_caption\": null,
\"video_intro_link_text\": null,
\"accession_notes\": null,
\"delivered_to\": null,
\"additional_digital_master_carrier\": null,
\"digital_version_master\": 0,
\"digital_version_dvd\": 0,
\"video_education_url\": null,
\"video_education_caption\": null,
\"digital_master_file_type_id\": null
},
\"supporting_documents\": [
{
\"supporting_document_id\": 937,
\"title\": \"\\"Edited at EAI\\": 1972-77\",
\"ed_site_only\": false,
\"published\": 1,
\"supporting_document_category_id\": 21,
\"supporting_document_navigation_category_lookup_id\": 34,
\"author\": null,
\"source_recieved_from\": null,
\"document_title\": null,
\"date_of_item\": null,
\"long_desc\": \"\\"Edited at EAI\\": 1972-77, April 27, 2016\",
\"short_desc\": \"\\"Edited at EAI\\": 1972-77, April 27, 2016\",
\"video_url\": null,
\"audio_url\": null,
\"html\": null,
\"internal_notes\": null,
\"digital_location\": null,
\"physical_location\": null,
\"date_digitized\": null,
\"file_type\": null,
\"rights_and_restrictions\": null,
\"courtesy_permission\": null,
\"date_created\": \"2016-08-12T13:53:53-04:00\",
\"created_by_eai_user_id\": 14325,
\"date_modified\": \"2016-08-17T12:14:10-04:00\",
\"modified_by_eai_user_id\": 14325,
\"display_date\": null,
\"supporting_document_url\": null,
\"template\": \"supporting_doc_image_gallery\",
\"sequence_on_web_pages\": 0,
\"_joinData\": {
\"id\": 1591,
\"title_id\": 2913,
\"supporting_document_id\": 937
},
\"supporting_document_image_small\": {
\"user_file_id\": 15651,
\"object_id\": 937,
\"xref_type\": \"SUP_DOC_IMG_S\",
\"filename\": \"IMG_4647_s.jpg\",
\"filepath\": \"\/user_files\/supporting_documents\/\",
\"content_type\": \"image\/jpeg\",
\"title_or_caption\": null,
\"alt_text\": null,
\"url\": null,
\"created_date\": \"2016-08-12T13:53:53-04:00\",
\"modified_date\": \"2016-08-12T13:53:53-04:00\"
},
\"supporting_document_navigation_category\": {
\"lookup_id\": 34,
\"lookup_type\": 210,
\"name\": \"Images\",
\"date_created\": \"2013-09-12T13:51:30-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2013-09-12T13:51:30-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": \"30\"
},
\"supporting_document_category\": {
\"lookup_id\": 21,
\"lookup_type\": 10,
\"name\": \"Event Documentation: Image\",
\"date_created\": \"2009-04-16T15:08:00-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2009-04-16T15:08:00-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": null
}
},
{
\"supporting_document_id\": 9,
\"title\": \"2002\",
\"ed_site_only\": false,
\"published\": 1,
\"supporting_document_category_id\": 10,
\"supporting_document_navigation_category_lookup_id\": 35,
\"author\": \"\",
\"source_recieved_from\": \"\",
\"document_title\": \"\",
\"date_of_item\": null,
\"long_desc\": \"Works by Peggy Ahwesh, Michel Auder, Lynda Benglis, Tony Cokes, Valie Export, Ken Jacobs, Kristin Lucas, Mary Lucier, Carolee Schneemann, the Wooster Group, and the Vasulkas, and others.\",
\"short_desc\": \"Works by Peggy Ahwesh, Michel Auder, Lynda Benglis, Tony Cokes, Valie Export, Ken Jacobs, Kristin Lucas, Mary Lucier, Carolee Schneemann, the Wooster Group, and the Vasulkas, and others.\",
\"video_url\": null,
\"audio_url\": null,
\"html\": null,
\"internal_notes\": \"\",
\"digital_location\": \"\",
\"physical_location\": \"\",
\"date_digitized\": null,
\"file_type\": null,
\"rights_and_restrictions\": \"\",
\"courtesy_permission\": \"\",
\"date_created\": \"2008-02-28T17:16:00-05:00\",
\"created_by_eai_user_id\": 225,
\"date_modified\": \"2013-07-23T11:34:06-04:00\",
\"modified_by_eai_user_id\": 13998,
\"display_date\": null,
\"supporting_document_url\": null,
\"template\": \"supporting_doc_file\",
\"sequence_on_web_pages\": 0,
\"_joinData\": {
\"id\": 357,
\"title_id\": 2913,
\"supporting_document_id\": 9
},
\"supporting_document_image_small\": null,
\"supporting_document_navigation_category\": {
\"lookup_id\": 35,
\"lookup_type\": 210,
\"name\": \"Documents\",
\"date_created\": \"2013-09-12T13:51:30-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2013-09-12T13:51:30-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": \"40\"
},
\"supporting_document_category\": {
\"lookup_id\": 10,
\"lookup_type\": 10,
\"name\": \"Printable Catalogues\",
\"date_created\": \"2008-01-23T14:28:00-05:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2008-01-23T14:28:00-05:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": null
}
},
{
\"supporting_document_id\": 8,
\"title\": \"2003\",
\"ed_site_only\": false,
\"published\": 1,
\"supporting_document_category_id\": 10,
\"supporting_document_navigation_category_lookup_id\": 35,
\"author\": \"\",
\"source_recieved_from\": \"\",
\"document_title\": \"\",
\"date_of_item\": null,
\"long_desc\": \"Works by Beige & Radical Software Group, Torsten Zenas Burns & Darrin Martin, Theresa Hak Kyung Cha, Forcefield, Paper Rad, Alix Pearlstein, and others.\",
\"short_desc\": \"Works by Beige & Radical Software Group, Torsten Zenas Burns & Darrin Martin, Theresa Hak Kyung Cha, Forcefield, Paper Rad, Alix Pearlstein, and others.\",
\"video_url\": null,
\"audio_url\": null,
\"html\": null,
\"internal_notes\": \"\",
\"digital_location\": \"\",
\"physical_location\": \"\",
\"date_digitized\": null,
\"file_type\": null,
\"rights_and_restrictions\": \"\",
\"courtesy_permission\": \"\",
\"date_created\": \"2008-02-28T17:13:00-05:00\",
\"created_by_eai_user_id\": 225,
\"date_modified\": \"2013-07-23T11:47:02-04:00\",
\"modified_by_eai_user_id\": 13998,
\"display_date\": null,
\"supporting_document_url\": null,
\"template\": \"supporting_doc_file\",
\"sequence_on_web_pages\": 0,
\"_joinData\": {
\"id\": 406,
\"title_id\": 2913,
\"supporting_document_id\": 8
},
\"supporting_document_image_small\": null,
\"supporting_document_navigation_category\": {
\"lookup_id\": 35,
\"lookup_type\": 210,
\"name\": \"Documents\",
\"date_created\": \"2013-09-12T13:51:30-04:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2013-09-12T13:51:30-04:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": \"40\"
},
\"supporting_document_category\": {
\"lookup_id\": 10,
\"lookup_type\": 10,
\"name\": \"Printable Catalogues\",
\"date_created\": \"2008-01-23T14:28:00-05:00\",
\"created_by_eai_user_id\": 5,
\"date_modified\": \"2008-01-23T14:28:00-05:00\",
\"modified_by_eai_user_id\": 5,
\"long_description\": null
}
}
]
}")
